Copjec, Joan. Imagine There’s No Woman. MIT 2002.
One must be careful not to mistake this indivisble and invincible remainder of the process of erasure — this “hard kernel” that Lacan would come to call the real — for some essence or quasi-transcendental a priori that manages to escape the contingent processes of history. Judith Butler, in her continuing argument with the real, seems not to want to let go of this misunderstanding, but I see no reason for this. The fact is that the real is what guarantees that nothing escapes history. What is it that motivates erasure as a privileged modern practice? What does it wish to accomplish? Erasure is intended precisely to foreground historical contingency, to demonstrate that the accretion of particular features by this or that subject, that the cumulate deposits of ego identifications, are the result of historical circumstances that could have been otherwise and that these particular features are therefore inessential. They could easily be stripped away, effaced, by subsequent or alternative circumstances. And yet this process of eradication, as practiced by modernists, culminates in the production of its own limit or exception. Despite its self-presentation, erasure encounters its limit when it reaches the empty page or blank slate, not evidence that the process has been fully accomplished. As long as this empty support — an uninflected, neutral humanity; Being as One, as uniform — remains behind, we can be sure that something has survived untouched by the processes of historical contingency. The notion of a universal humanity stands outside and domesticates history, making the latter the agent of merely minor variations on its already decided script (93).