mcgowan on michael moore

McGowan, Todd. Enjoying What We Don’t Have: The Political Project of Psychoanalysis. 2013.

When [Michael] Moore succeeds as an activist filmmaker, he mobilizes the enjoyment of the spectator and works to align this enjoyment with increased freedom and equality.

Highlighting Bush’s obscene enjoyment fails as a political strategy because the people who identify with Bush do so precisely because of this enjoyment, not in spite of it.

If Bush doesn’t read reports, skips meetings, vacations too much, or stumbles when talking to reporters, such failures provide possibilities for identification. Popular identification with a leader occurs on two distinct levels. On the one hand, we identify with the strength of the leader and see ourselves expressed in that strength. This identification affirms our ego and provides pleasure. On the other hand, we identify with the weaknesses of the leader. This identification is the key to our ability to enjoy the leader. The more [Moore’s film] takes the side of knowledge against Bush’s obscene enjoyment, the more it cements the identification between supporters and him through a shared enjoyment. 188

Many figures on the side of emancipatory politics see the documentary as a valuable tool because it provides knowledge that traditional media outlets do not. It helps people to break from the ideological manipulation that dominates them. But … the documentary form’s obsession with the facts causes it to miss the role of enjoyment. … the focus of documentary form on revealing facts rather than facilitating enjoyment hinders its effectiveness as a political tool. It seems inherent to take the side of knowledge and thereby enable opponents to enjoy through disregarding what it teaches. 188

[Al Gore’s Inconvenient Truth] Gore warns against excessive enjoyment – overuse of electricity, driving environmentally unfriendly vehicles, consuming without educating oneself, and so on. The entire film is an act of consciousness-raising and enjoyment-restricting. By seizing on Gore’s film as a rallying point, the forces of emancipation again cede the terrain of enjoyment to conservatism … 189

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