At another talk Butler gave in London early in 2009 on her book Frames of War, she started with a delineation of Hegel’s Lordship and Bondage. In this famous chapter, Butler’s re-reading of it draws attention to the fact of what she calls a ‘re-doubling’ of the initial self-consciousness. More than any other commentator on Hegel that I’ve read, Butler reading of this section draws attention to the appearance of the Other, but it is not an absolute Other, in other words, not another self-consciousness standing separate and in opposition to the initial self-consciousness. For Butler this self-consciousness notices that this other self-consciousness is not only not unlike the initial self-consciousness, it to an extent both is and is not that other self-consciousness over there. What this entails then for Butler is a situation in which a self-consciousness and Other, an Other which is both me and not-me. And it is living this paradox which constitutes the fundamental ethical relationship for her. Lordship and Bondage does not constitute a fight to the death between two self-consciousness’ for Butler. She describes as the emergence of the realization that risking death is necessary to the realization of absolute singularity of the self-consciousness subject but the rub is that death would eliminate any possibility for the self-consciousness to realize its singular will. So the question then becomes, for Butler, how to live with the Other. This Other that is over there that is both me and not-me, means that there is a dialectic of singularity and substitutability. Singularity of the one and its substitutability with the Other, the former signifying individual self-consciousness, the latter signifying its going outside itself, a self-loss of sorts in that it appears in the Other, is the Other. Singularity and substitutability is that which denotes in a nutshell the dialectic of substance as subject, of singularity and substance. The “I” may seek to buttress its singularity be destroying the Other, but as we saw, this would only end up destroying the ability of the self-consciousness to go outside itself and realize itself in the Other. So for Butler, the paradox of singularity and substitutability, of finding over there in the Other that is me and not-me cannot be as Hegel is want to do, dialectically resolved. For Butler that there is no possibility of a dialectical resolution is the definition of the ethical.
Author: logocentric
butler Hegel life as sociality
Public lecture presented by the Humanities and Arts Research Centre of Royal Holloway, the School of Psychosocial Studies (Birkbeck) and the Birkbeck Institute for Social Research 4th February, 2009.
Norms constitute specific ontologies of the Subject, historically contingent ontologies, being of the subject given over to norms, to be a body is to be exposed to social crafting and form, the body is a social ontology, NORMATIVE PRODUCTION OF ONTOLOGY, HISTORICALLY CONTINGENT ONTOLOGY
Our very capacity to discern and name the being of the subject is dependent on norms that facilitate that recognition.
differential allocation of precarity
Apprehension of precariousness leads to heightening of violence, insight into vulnerability increases desire to destroy them
Butler on Hegel
At begin of Lordship and Bondage: a self-consciousness sees another self-consciousness and is scandalized by this event.
Some Other appears, at first that Other appears to be me, how is it possible that this is me over there? How can I account for this apparent distance between me over there and the “I” who regards this “me”.
If I have come outside myself then I am no longer localized and this tells me something new about who I am, my relation to space. If I am no longer localized, I am not fully or in exclusively a bounded being, I have the capacity to appear elsewhere.
I am a kind of being here and there apparently at once. I can as it were face myself, and this involves a certain amount of self-loss. I am then not quite bounded in space as I apparently assumed, this unboundedness by which I am now characterized, seems bound up as it were with a redoubling of myself. The I seems to have become 2.
The problem is that the Other whom I face, is in some sense me and is some sense not-me. I encounter myself at a spatial distance re-doubled. I encounter at the same time and through the same figure the limit to what I can call myself. Both of these things happen at the same time, but this does not mean that these two encounters are reconciled. On the contrary they exist in a certain tension with one another. This Other who appears to be me is at once me and not-me. So what I have to live with is not just the fact that I have become 2, but that I can be found at a distance from myself and what I find at that distance is also and at once not myself.
This Other who appear as me is at once me and not-me. I encounter myself at a spatial distance redoubled.
—————-
Hegel has established through these steps the constitutive sociality of this self-consciousness. The apprehension of the Other as a living being, one whose living is like my own is essential to this process of developing a social bond. There’s a shape over there, a living one and its understood as belonging to this or that living thing.
The living consciousness can only return to its absolute singularity by risking its own life, but dead that living consciousness cannot achieve the self-certainty it seeks. So the question becomes, how best to live and how best to live with others. The defensive effort to shore up one’s singularity in the face of a duplication or substitutability is apparently overwhelming, but is only by considering
Singularity and Substitutability without a dialectical synthesis that an ethical opening to the other can take place.
Who is this I who is on the one hand substitutable and yet also singularly alive on some other hand. If this “I” is to register its substitutability it has to survive as this singular life to do precisely that. In other words its singularity is the precondition of its understanding of substitutability and is presupposed logically by the idea of substitution itself which involves replacing one term by another.
The Non-substitutable, is the persistent, logical and existential condition of substitutability. As much as the “I” might be threatened by negation or threatens the other with negation, so it is clear that the life of the one is dependent on the life of the other. This interdependency becomes a new way of conceiving of life as sociality. Sociality cannot be reduced to the existence of this identity or that identity, this group or that group, but is the open temporal trajectory of interdependency and desire, struggle, fear, murderous dispositions as well as the desire to maintain and repair social bonds.
So although I find my departure here in Hegel, I move in at least two distinct directions:
1. The ethical necessity of a non-coincidence of singularity and substitutability. I’m not interested in a dialectical synthesis of those two terms. The ethical demand to live both singularity and substitutability as an ongoing paradox is something that I affirm.
2. There can be no recognition of my life being like another’s life except through the specific social norms that allow certain populations to emerge as living beings and others to be considered as non-living, as only partially living, or as actually figuring a threat to life itself.
We cannot remain dependent on existing and already established norms of recognition, if we are to try to expand our understanding not only of who deserves to live, who lives are worth protecting but more fundamentally whose lives count as lives and whose lives are finally grievable.
The problems is not merely to include more people in the existing norms but to consider how existing norms allocate recognition differentially? What new norms are possible and how are they wrought.
What might be done to produce a more egalitarian set of conditions for recognizablity. What might be done in other words to shift the very terms of recognizability in order to to produce more radically democratic results.
New egalitarian norms of recognizability.
butler scene of address
Third International Conference of the Whitehead Research Project
Date: December 3-5, 2009
Location: Claremont, California
Judith Butler at the Claremont Graduate School, School of Art and Humanities. Look for it on Itunes or here In her 2 hour talk with students on her book Giving Account of Oneself I found this to be one of her most interesting points. She made this in response to a question at 1:18:30 into the talk.
When we strive for the single, the one account. When we are asked to give an account even of an accident, we go back and tell the story one way, and then another way, we give different accounts at different times, each of these accounts produce a constellation, so there has to be a revisability that should not be understood as falsification, each of these accounts produce a constellation that gives us a more complex idea of what happened.
But when we come to the question of identity, if we say I am this and this and also this and we try to undo the logic of “non-contradiction” that governs our statements about what we are. I am not this, I am rather this and this. I am both, I am both and more. But we are still within what Foucault calls the “regime of ontology.” I’m still trying to determine what I am, I’m just doing it multiplee (multiply? multiple? Judy pronounces it with a long ‘e’ sound, as in ‘multiplicity’).
But maybe the thing is to NOT determine who I am whether singly or multiplee, but to be engaged in a kind of scene of address to oneself, to another, to a set of others, where those terms get re-worked in ways that make a difference, then we are less interested in determining who we are singly or multiply than in some act of communication, or some act of avowing and articulating a relationship which is more ethically significant than establishing who I am. I guess I would displace the framework to some degree.
butler Hegel Žižek ek-static
Judith Butler speaking at Columbia Law School, saying some interesting, no make that really interesting stuff on the notion of “consent.”
Commenting on Žižek in this 2000 text, Butler accuses him of presenting us with an overly formalistic brand of Hegelianism. She draws upon the way in which Žižek’s occupation with the Kant-Hegel combo is telling and productive in some respects, but that ultimately Žižek’s analyses, while brilliant, are often ahistorical, presented in an overly structuralist-formalist fashion that makes thinking a political aritculation somewhat difficult. Here is a quote from the Verso book Contingency, Universality, Hegemony (2000).
Hegel implicitly likens the Kantian to one who seeks to know how to swim before actually swimming, and he counters this model of a self-possessed cognition with one that gives itself over to the activity itself, a form of knowing that is given over to the world it seeks to know. Although Hegel is often dubbed philosopher of ‘mastery’, we can see here … that the ek-static disposition of the self towards its world undoes cognitive mastery. Hegel’s own persistent references to ‘losing oneself’ and ‘giving oneself over’ only confirm the point that the knowing subject cannot be understood as one who imposes ready-made categories on a pre-given world. The categories are shaped by the world it seeks to know, just as the world is not known without the prior action of those categories. And just as Hegel insists on revising several times his very definition of ‘universality’, so he makes plain that the categories by which the world becomes available to us are continually remade by the encounter with the world that they facilitate. We do not remain the same, and neither do our cognitive categories, as we enter into a knowing encounter with the world. Both the knowing subject and the world are undone and redone by the act of knowledge (20).
commenting on Zizek:
One difference that is doubtless apparent is that my approach to Hegel draws upon a certain set of literary and rhetorical presumptions about how meaning is generated in his text. I therefore oppose the effort to construe Hegel in formal terms or, indeed, to render him compatible with a Kantian formalism, which is something Žižek has done on occasion. Any effort to reduce Hegel’s own text to a formal schematism will become subject to the very same critique that Hegel has offered of all such formalisms, and subject to the same founderings (25).
Žižek Avatar
Return of the natives
Published 04 March 2010 in the New Statesman
Beneath the idealism and political correctness of Avatar, in the spotlight at the Oscars on Sunday, lie brutal racist undertones.
James Cameron’s Avatar tells the story of a disabled ex-marine, sent from earth to infiltrate a race of blue-skinned aboriginal people on a distant planet and persuade them to let his employer mine their homeland for natural resources. Through a complex biological manipulation, the hero’s mind gains control of his “avatar”, in the body of a young aborigine.
These aborigines are deeply spiritual and live in harmony with nature (they can plug a cable that sticks out of their body into horses and trees to communicate with them). Predictably, the marine falls in love with a beautiful aboriginal princess and joins the aborigines in battle, helping them to throw out the human invaders and saving their planet. At the film’s end, the hero transposes his soul from his damaged human body to his aboriginal avatar, thus becoming one of them.
Given the 3-D hyperreality of the film, with its combination of real actors and animated digital corrections, Avatar should be compared to films such as Who Framed Roger Rabbit (1988) or The Matrix (1999). In each, the hero is caught between our ordinary reality and an imagined universe – of cartoons in Roger Rabbit, of digital reality in The Matrix, or of the digitally enhanced everyday reality of the planet in Avatar. What one should thus bear in mind is that, although Avatar’s narrative is supposed to take place in one and the same “real” reality, we are dealing – at the level of the underlying symbolic economy – with two realities: the ordinary world of imperialist colonialism on the one hand, and a fantasy world, populated by aborigines who live in an incestuous link with nature, on the other. (The latter should not be confused with the miserable reality of actual exploited peoples.) The end of the film should be read as the hero fully migrating from reality into the fantasy world – as if, in The Matrix, Neo were to decide to immerse himself again fully in the matrix.
This does not mean, however, that we should reject Avatar on behalf of a more “authentic” acceptance of the real world. If we subtract fantasy from reality, then reality itself loses its consistency and disintegrates. To choose between “either accepting reality or choosing fantasy” is wrong: if we really want to change or escape our social reality, the first thing to do is change our fantasies that make us fit this reality. Because the hero of Avatar doesn’t do this, his subjective position is what Jacques Lacan, with regard to de Sade, called le dupe de son fantasme.
This is why it is interesting to imagine a sequel to Avatar in which, after a couple of years (or, rather, months) of bliss, the hero starts to feel a weird discontent and to miss the corrupted human universe. The source of this discontent is not only that every reality, no matter how perfect it is, sooner or later disappoints us. Such a perfect fantasy disappoints us precisely because of its perfection: what this perfection signals is that it holds no place for us, the subjects who imagine it.
The utopia imagined in Avatar follows the Hollywood formula for producing a couple – the long tradition of a resigned white hero who has to go among the savages to find a proper sexual partner (just recall Dances With Wolves). In a typical Hollywood product, everything, from the fate of the Knights of the Round Table to asteroids hitting the earth, is transposed into an Oedipal narrative. The ridiculous climax of this procedure of staging great historical events as the background to the formation of a couple is Warren Beatty’s Reds (1981), in which Hollywood found a way to rehabilitate the October Revolution, arguably the most traumatic historical event of the 20th century. In Reds, the couple of John Reed and Louise Bryant are in deep emotional crisis; their love is reignited when Louise watches John deliver an impassioned revolutionary speech.
What follows is the couple’s lovemaking, intersected with archetypal scenes from the revolution, some of which reverberate in an all too obvious way with the sex; say, when John penetrates Louise, the camera cuts to a street where a dark crowd of demonstrators envelops and stops a penetrating “phallic” tram – all this against the background of the singing of “The Internationale”. When, at the orgasmic climax, Lenin himself appears, addressing a packed hall of delegates, he is more a wise teacher overseeing the couple’s love-initiation than a cold revolutionary leader. Even the October Revolution is OK, according to Hollywood, if it serves the reconstitution of a couple.
In a similar way, is Cameron’s previous blockbuster, Titanic, really about the catastrophe of the ship hitting the iceberg? One should be attentive to the precise moment of the catastrophe: it takes place when the young lovers (Leonardo DiCaprio and Kate Winslet), immediately after consummating their relationship, return to the ship’s deck. Even more crucial is that, on deck, Winslet tells her lover that when the ship reaches New York the next morning, she will leave with him, preferring a life of poverty with her true love to a false, corrupted life among the rich.
At this moment the ship hits the iceberg, in order to prevent what would undoubtedly have been the true catastrophe, namely the couple’s life in New York. One can safely guess that soon the misery of everyday life would have destroyed their love. The catastrophe thus occurs in order to save their love, to sustain the illusion that, if it had not happened, they would have lived “happily ever after”. A further clue is provided by DiCaprio’s final moments. He is freezing in the cold water, dying, while Winslet is safely floating on a large piece of wood. Aware that she is losing him, she cries “I’ll never let you go!” – and as she says this, she pushes him away with her hands.
Why? Because he has done his job. Beneath the story of a love affair, Titanic tells another story, that of a spoiled high-society girl with an identity crisis: she is confused, doesn’t know what to do with herself, and DiCaprio, much more than just her love partner, is a kind of “vanishing mediator” whose function is to restore her sense of identity and purpose in life. His last words before he disappears into the freezing North Atlantic are not the words of a departing lover, but the message of a preacher, telling her to be honest and faithful to herself.
Cameron’s superficial Hollywood Marxism (his crude privileging of the lower classes and caricatural depiction of the cruel egotism of the rich) should not deceive us. Beneath this sympathy for the poor lies a reactionary myth, first fully deployed by Rudyard Kipling’s Captains Courageous. It concerns a young rich person in crisis who gets his (or her) vitality estored through brief intimate contact with the full-blooded life of the poor. What lurks behind the compassion for the poor is their vampiric exploitation.
But today, Hollywood increasingly seems to have abandoned this formula. The film of Dan Brown’s Angels and Demons must surely be the first case of a Hollywood adaptation of a popular novel in which there is sex between the hero and the heroine in the book, but not in its film version – in clear contrast to the old tradition of adding a sex scene to a film based on a novel in which there is none. There is nothing liberating about this absence of sex; we are rather dealing with yet more proof of the phenomenon described by Alain Badiou in his Éloge de l’amour – today, in our pragmatic-narcissistic era, the very notion of falling in love, of a passionate attachment to a sexual partner, is considered obsolete and dangerous.
Avatar’s fidelity to the old formula of creating a couple, its full trust in fantasy, and its story of a white man marrying the aboriginal princess and becoming king, make it ideologically a rather conservative, old-fashioned film. Its technical brilliance serves to cover up this basic conservatism. It is easy to discover, beneath the politically correct themes (an honest white guy siding with ecologically sound aborigines against the “military-industrial complex” of the imperialist invaders), an array of brutal racist motifs: a paraplegic outcast from earth is good enough to get the hand of abeautiful local princess, and to help the natives win the decisive battle. The film teaches us that the only choice the aborigines have is to be saved by the human beings or to be destroyed by them. In other words, they can choose either to be the victim of imperialist reality, or to play their allotted role in the white man’s fantasy.
At the same time as Avatar is making money all around the world (it generated $1bn after less than three weeks of release), something that strangely resembles its plot is taking place. The southern hills of the Indian state of Orissa, inhabited by the Dongria Kondh people, were sold to mining companies that plan to exploit their immense reserves of bauxite (the deposits are considered to be worth at least $4trn). In reaction to this project, a Maoist (Naxalite) armed rebellion exploded.
Arundhati Roy, in Outlook India magazine, writes that the Maoist guerrilla army
“is made up almost entirely of desperately poor tribal people living in conditions of such chronic hunger that it verges on famine of the kind we only associate with sub-Saharan Africa. They are people who, even after 60 years of India’s so-called independence, have not had access to education, health care or legal redress. They are people who have been mercilessly exploited for decades, consistently cheated by small businessmen and moneylenders, the women raped as a matter of right by police and forest department personnel. Their journey back to a semblance of dignity is due in large part to the Maoist cadres who have lived and worked and fought by their sides for decades. If the tribals have taken up arms, they have done so because a government which has given them nothing but violence and neglect now wants to snatch away the last thing they have – their land . . . They believe that if they do not fight for their land, they will be annihilated . . . their ragged, malnutritioned army, the bulk of whose soldiers have never seen a train or a bus or even a small town, are fighting only for survival.”
The Indian prime minister characterised this rebellion as the “single largest internal security threat”; the big media, which present it as extremist resistance to progress, are full of stories about “red terrorism”, replacing stories about “Islamist terrorism”. No wonder the Indian state is responding with a big military operation against “Maoist strongholds” in the jungles of central India. And it is true that both sides are resorting to great violence in this brutal war, that the “people’s justice” of the Maoists is harsh. However, no matter how unpalatable this violence is to our liberal taste, we have no right to condemn it. Why? Because their situation is precisely that of Hegel’s rabble: the Naxalite rebels in India are starving tribal people, to whom the minimum of a dignified life is denied.
So where is Cameron’s film here? Nowhere: in Orissa, there are no noble princesses waiting for white heroes to seduce them and help their people, just the Maoists organising the starving farmers. The film enables us to practise a typical ideological division: sympathising with the idealised aborigines while rejecting their actual struggle. The same people who enjoy the film and admire its aboriginal rebels would in all probability turn away in horror from the Naxalites, dismissing them as murderous terrorists. The true avatar is thus Avatar itself – the film substituting for reality.
Slavoj Žižek is a philosopher and critic
The Academy Awards ceremony is on 7 March
May 25
🙂 logic and phenomenology, structure of thought = structure of being, structure of thought = structure of reality, structure of capital. And the role of the phenomenology in this thesis is ….
The quandary conditioning the struggle of life and death is that of having to choose between ecstatic and self-determining existence (49).
Self-consciousness’ predicament, that of having to choose between ecstatic and self-determining existence, is seen to be the predicament of the Other as well. This similarity between the two self-consciousnesses ultimately proves to be the basis of their harmonious interdependence … Recognition, once achieved, affirms the ambiguity of self-consciousness as both ecstatic and self-determining.
self-estrangement implicit in the experience of desire … As an intentional movement desire tends to eclipse the self that is its origin.
Desire must arrange for its satisfaction within the context of life, for death is the end of desire … Desire is coextensive with life, with the realm of otherness, and with Others.
Domination and and enslavement are thus defenses against life WITHIN the context of life; they emerge in the nostalgia over the failed effort to die. 54
The lord and bondsman turn against life in different ways, but both resist the synthesis of corporeality and freedom, a synthesis that alone is constitutive of human life; the lord lives in dread of his body, while the bondsman lives in dread of freedom.
desire and recognition 2
Hegel’s anthropocentric reorientation of Spinoza’s monism results in a reformulation of Spinoza’s notion of self-actualization. The journeying subject of the Phenomenology also seeks its own actualization, but finds that this does not happen without the paradoxical assistance of negativity.
The human subject does not exhibit greater potency through an unobstructed expression of selfhood, but requires obstruction, as it were, in order to gain reflection of itself in its environment, recognition of itself by Others.
Hence, actualization only occurs to the extent that the subject confronts what is different from itself, and therein discovers a more enhanced version of itself. The negative thus becomes essential to self-actualization, and the human subject must suffer its own loss of identity again and again in order to realize its fullest sense of self.
But once again, can this full self be found, and does Hegel’s introduction of essential negativity effectively preclude the possibility of achieving full selfhood consonant with completed metaphysical knowledge? Can the living human subject reconstitute every external relation as internal, and simultaneously achieve adequacy to itself and its world?
Is the ideal of substance recast as subject merely that, a regulative ideal which one longs for and suffers under but never appropriates existentially? If this is the case, has Hegel then created the notion of a subject as perpetual striving?
Although Hegel is often categorizd as the philosopher of totality, of systematic completeness and self-sufficient autonomy, it is not clear that the metaphysical totality he defends is a finite system. Indeed, the abiding paradox of Hegel’s metaphysics seems to consist in the openness of this ostensibly all-inclusive system (13).
desire and recognition 1
I am going to re-read these 40 torturous pages in Subjects of Desire
Butler defines Hegelian Desire thus on page 6:
… for DESIRE, according to Hegel, is the incessant human effort to overcome external differences, a project to become a self-sufficient subject for whom all things apparently different finally emerge as immanent feature of the subject itself.
… desire increasingly becomes a principle of the ontological displacement of the human subject, and in its latest stages, in the work of Lacan, Deleuze, and Foucault, desire comes to signify the impossibility of the coherent subject itself (6).
How is it that desire, once conceived as the human instance of dialectical reason, becomes that which endangers dialectics, fractures the metaphysically integrated self, and disrupts the internal harmony of the subject and its ontological intimacy with the world? 7
[desire] is established early on in the text as a permanent principle of self-consciousness. Hegel claims that “self-consciousness in general is Desire” (Para 167), by which he means that desire signifies the reflexivity of consciousness, the necessity that it become other to itself in order to know itself. As desire, consciousness is outside itself, and as outside itself, consciousness is self-consciousness. 7
Clearly, the meaning of this “outside” is yet to be clarified, and becomes a crucial ambiguity in the section “Lordship and Bondage.” … The Hegelian subject cannot know itself instantaneously or immediately, but requires mediation to understand its own structure (7).
… the Hegelian subject expands in the course of its adventure through alterity; it internalizes the world that it desires, and expands to encompass, to be, what it initially confronts as other to itself. The final satisfaction of desire is the discovery of substance as subject, the experience of the world as everywhere confirming that subject’s sense of immanent metaphysical place (8-9).
Hyppolite suggests that desire is “the power of the negative in human life” … Conceived as lack, a being-without, desire initially signifies negativity; as the pursuit of substance, desire thus implicitly raises the question of whether human negativity, that which constitutes its ontological difference, can be resolved into an encompassing network of being. Human desire articulates the subject’s relationship to that which is not itself, that which is different, strange, novel, awaited, absent, lost. And the satisfaction of desire is the transformation of difference into identity: the discovery of the strange and novel as familiar, the arrival of the awaited, the reemergence of what has been absent or lost. Thus, human desire is a way of thematizing the problem of negativity; it is the negative principle of human life, its ontological status as a lack in pursuit of being — Plato’s vision in the Symposium.
🙂 Butler adds this:
But desire is also the mode in which consciousness makes its own negativity into an explicit object of reflection, something to be labored upon and worked through. In effect, we read our negativity in the objects and others we desire; as desirable, detestable, solicitous, or rejecting, these emotional facts of the world mirror our ontological insufficiency in Hegelian terms; they show us the negativity that we are, and engage us with the promise of plenitude or the threat of reaffirming our nothingness. Whatever the emotional permutation of desire, we are, in virtue of desire, posing the question of final destination. And for Hegel, in posing the question, we presume the possibility of an answer, a satisfaction, an ultimate arrival (9-10).
recognition
The struggle for recognition arises, then, not from a primary competitive attitude toward the other, but from the experience of desire for and by another. Specific desires for property, goods or positions of social dominance must be, according to Hegel’s framework, seen as derivative expressions of the desire for a community based on love. Desire is, thus, not originally an effort of acquisition or domination, but emerges in such forms only when a community based on the principles of reciprocal recognition has not yet been developed. note 18 page 242
butler self-loss
Here is JB commenting on the fact of recognition in Lordship and Bondage is really about self-loss.
Here is the JB quoting from Hegel’s Phenomenology:
Self-consciousness is faced by another self-consciousness; it has come out of itself. This has a two-fold significance: first, it has lost itself, for it finds itself as an other being; secondly, in doing so it has superseded the other, for it does not see the other as an essential being, but in the other sees its own self. (para 178)
desire
The gradual yet insistent effort of Hegel’s journeying subject in the Phenomenology of Spirit never relinquishes this project to relate itself to externality in order to rediscover itself as more inclusive being. The insurpassability of externality implies the permancence of desire. In this sense, insofar as Hegel’s subject never achieves a static union with externality, it is hopelessly beyond its own grasp, although it retains as its highest aim the thorough comprehension of itself. This thoroughgoing self-determination is the ideal of integrity toward which self-consciousness strives, and this striving is denoted by desire (44).
After all, desire revealed an implicit intentional aim, namely, to disclose and enact a common ontological structure with the world. Hence, despite the alleged object of desire … “the consumption of this brute being which poses as other to me,” desire has at base a metaphysical project which, while requiring determinate objects, transcends them as well, i.e., to effect a unity with the realm of externality which both preserves that realm and renders it into a reflection of self-consciousness. (44)
Because desire is the principle of self-consciousness’ reflexivity or inner difference, and because it has as its highest aim the assimilation of all external relations into relations of inner difference, desire forms the experiential basis for the project of the Phenomenology at large … the gradual sophistication of desire —expanding inclusiveness of its intentional aims —is the principle of progress in the Phenomenology (45).
udi aloni judith butler interview
Judith Butler Interview with Udi Aloni February 2010

Online version 1 and another version
Philosopher, professor and author Judith Butler arrived in Israel this month, en route to the West Bank, where she was to give a seminar at Bir Zeit University, visit the theater in Jenin, and meet privately with friends and students. A leading light in her field, Butler chose not to visit any academic institutions in Israel itself. In the conversation below, conducted in New York several months ago, Butler talks about gender, the dehumanization of Gazans, and how Jewish values drove her to criticize the actions of the State of Israel.
In Israel, people know you well. Your name was even in the popular film Ha-Buah [The Bubble – the tragic tale of a gay relationship between an Israeli Jew and a Palestinian Muslim].
[laughs] Although I disagreed with the use of my name in that context. I mean, it was very funny to say, “don’t Judith Butler me,” but “to Judith Butler someone” meant to say something very negative about men and to identify with a form of feminism that was against men. And I’ve never been identified with that form of feminism. That?s not my mode. I’m not known for that. So it seems like it was confusing me with a radical feminist view that one would associate with Catharine MacKinnon or Andrea Dworkin, a completely different feminist modality. I’m not always calling into question who’s a man and who’s not, and am I a man? Maybe I’m a man. [laughs] Call me a man. I am much more open about categories of gender, and my feminism has been about women’s safety from violence, increased literacy, decreased poverty and more equality. I was never against the category of men.
A beautiful Israeli poem asks, “How does one become Avot Yeshurun?” Avot Yeshurun was a poet who caused turmoil in Israeli poetry. I want to ask, how does one become Judith Butler -especially with the issue of Gender Trouble, the book that so troubled the discourse on gender?
You know, I’m not sure that I know how to give an account of it, and I think it troubles gender differently depending on how it is received and translated. For instance, one of the first receptions [of the book] was in Germany, and there, it seemed very clear that young people wanted a politics that emphasized agency, or something affirmative that they could create or produce. The idea of performativity – which involved bringing categories into being or bringing new social realities about – was very exciting, especially for younger people who were tired with old models of oppression – indeed, the very model men oppress women, or straights oppress gays.
It seemed that if you were subjugated, there were also forms of agency that were available to you, and you were not just a victim, or you were not only oppressed, but oppression could become the condition of your agency. Certain kinds of unexpected results can emerge from the situation of oppression if you have the resources and if you have collective support. It’s not an automatic response; it’s not a necessary response. But it’s possible. I think I also probably spoke to something that was already happening in the movement. I put into theoretical language what was already being impressed upon me from elsewhere. So I didn’t bring it into being single-handedly. I received it from several cultural resources and put it into another language.
Once you became “Judith Butler,” we began to hear more about Jews and Jewish texts. People came to hear you speak about gender and suddenly they were faced with Gaza, divine violence. It almost felt like you had some closure on the previous matter. Is there a connection, a continuum, or is this a new phase?
Let’s go back further. I’m sure I’ve told you that I began to be interested in philosophy when I was 14, and I was in trouble in the synagogue. The rabbi said, “You are too talkative in class. You talk back, you are not well behaved. You have to come and have a tutorial with me.” I said “OK, great!” I was thrilled.
He said: “What do you want to study in the tutorial? This is your punishment. Now you have to study something seriously.” I think he thought of me as unserious. I explained that I wanted to read existential theology focusing on Martin Buber. (I’ve never left Martin Buber.) I wanted look at the question of whether German idealism could be linked with National Socialism. Was the tradition of Kant and Hegel responsible in some way for the origins of National Socialism? My third question was why Spinoza was excommunicated from the synagogue. I wanted to know what happened and whether the synagogue was justified.
Now I must go Jewish: what was your parents’ relation to Judaism?
My parents were practicing Jews. My mother grew up in an orthodox synagogue and after my grandfather died, she went to a conservative synagogue and a little later ended up in a reform synagogue. My father was in reform synagogues from the beginning.
My mother’s uncles and aunts were all killed in Hungary [during the Holocaust]. My grandmother lost all of her relatives, except for the two nephews who came with them in the car when my grandmother went back in 1938 to see who she could rescue. It was important for me. I went to Hebrew school. But I also went after school to special classes on Jewish ethics because I was interested in the debates. So I didn’t do just the minimum. Through high school, I suppose, I continued Jewish studies alongside my public school education.
And you showed me the photos of the bar mitzvah of your son as a good proud Jewish Mother…
So it’s been there from the start, it’s not as if I arrived at some place that I haven’t always been in. I grew very skeptical of certain kind of Jewish separatism in my youth. I mean, I saw the Jewish community was always with each other; they didn’t trust anybody outside. You’d bring someone home and the first question was “Are they Jewish, are they not Jewish?” Then I entered into a lesbian community in college, late college, graduate school, and the first thing they asked was, “Are you a feminist, are you not a feminist?” “Are you a lesbian, are you not a lesbian?” and I thought “Enough with the separatism!”
It felt like the same kind of policing of the community. You only trust those who are absolutely like yourself, those who have signed a pledge of allegiance to this particular identity. Is that person really Jewish, maybe they’re not so Jewish. I don’t know if they’re really Jewish. Maybe they’re self-hating. Is that person lesbian? I think maybe they had a relationship with a man. What does that say about how true their identity was? I thought I can’t live in a world in which identity is being policed in this way.
But if I go back to your other question… In Gender Trouble, there is a whole discussion of melancholy. What is the condition under which we fail to grieve others? I presumed, throughout my childhood, that this was a question the Jewish community was asking itself. It was also a question that I was interested in when I went to study in Germany. The famous Mitscherlich book on the incapacity to mourn, which was a criticism of German post-war culture, was very, very interesting to me.
In the 70s and 80s, in the gay and lesbian community, it became clear to me that very often, when a relationship would break up, a gay person wouldn’t be able to tell their parents, his or her parents. So here, people were going through all kinds of emotional losses that were publicly unacknowledged and that became very acute during the AIDS crisis. In the earliest years of the AIDS crisis, there were many gay men who were unable to come out about the fact that their lovers were ill, A, and then dead, B. They were unable to get access to the hospital to see their lover, unable to call their parents and say, “I have just lost the love of my life.”
This was extremely important to my thinking throughout the 80s and 90s. But it also became important to me as I started to think about war.
After 9/11, I was shocked by the fact that there was public mourning for many of the people who died in the attacks on the World Trade Center, less public mourning for those who died in the attack on the Pentagon, no public mourning for the illegal workers of the WTC, and, for a very long time, no public acknowledgment of the gay and lesbian families and relationships that had been destroyed by the loss of one of the partners in the bombings.
Then we went to war very quickly, Bush having decided that the time for grieving is over. I think he said that after ten days, that the time for grieving is over and now is time for action. At which point we started killing populations abroad with no clear rationale. And the populations we targeted for violence were ones that never appeared to us in pictures. We never got little obituaries for them. We never heard anything about what lives had been destroyed. And we still don’t.
I then moved towards a different kind of theory, asking under what conditions certain lives are grievable and certain lives not grievable or ungrievable.
It’s clear to me that in Israel-Palestine and in the violent conflicts that have taken place over the years, there is differential grieving. Certain lives become grievable within the Israeli press, for instance – highly grievable and highly valuable – and others are understood as ungrievable because they are understood as instruments of war, or they are understood as outside the nation, outside religion, or outside that sense of belonging which makes for a grievable life. The question of grievability has linked my work on queer politics, especially the AIDS crisis, with my more contemporary work on war and violence, including the work on Israel-Palestine.
It’s interesting because when the war on Gaza started, I couldn’t stay in Tel Aviv anymore. I visited the Galilee a lot. And suddenly I realized that many of the Palestinians who died in Gaza have families there, relatives who are citizens of Israel. What people didn’t know is that there was a massed grief in Israel. Grief for families who died in Gaza, a grief within Israel, of citizens of Israel. And nobody in the country spoke about it, about the grief within Israel. It was shocking.
The Israeli government and the media started to say that everyone who was killed or injured in Gaza was a member of Hamas; or that they were all being used as part of the war effort; that even the children were instruments of the war effort; that the Palestinians put them out there, in the targets, to show that Israelis would kill children, and this was actually part of a war effort. At this point, every single living being who is Palestinian becomes a war instrument. They are all, in their being, or by virtue of being Palestinian, declaring war on Israel or seeking the destruction of the Israel.
So any and all Palestinian lives that are killed or injured are understood no longer to be lives, no longer understood to be living, no longer understood even to be human in a recognizable sense, but they are artillery. The bodies themselves are artillery. And of course, the extreme instance of that is the suicide bomber, who has become unpopular in recent years. That is the instance in which a body becomes artillery, or becomes part of a violent act. If that figure gets extended to the entire Palestinian population, then there is no living human population anymore, and no one who is killed there can be grieved. Because everyone who is a living Palestinian is, in their being, a declaration of war, or a threat to the existence of Israel, or pure military artillery, materiel. They have been transformed, in the Israeli war imaginary, into pure war instruments.
So when a people who believes that another people is out to destroy them sees all the means of destruction killed, or some extraordinary number of the means of destruction destroyed, they are thrilled, because they think their safety and well-being and happiness are being purchased, are being achieved through this destruction.
And what happened with the perspective from the outside, the outside media, was extremely interesting to me. The European press, the U.S. press, the South American press, the East Asian press all raised questions about the excessive violence of the Gaza assault. It was very strange to see how the Israeli media made the claim that people on the outside do not understand; that people on the outside are anti-Semitic; that people on the outside are blaming Israel for defending themselves when they themselves, if attacked, would do the exact same thing.
Why Israel-Palestine? Is this directly connected to your Jewishness?
As a Jew, I was taught that it was ethically imperative to speak up and to speak out against arbitrary state violence. That was part of what I learned when I learned about the Second World War and the concentration camps. There were those who would and could speak out against state racism and state violence, and it was imperative that we be able to speak out. Not just for Jews, but for any number of people. There was an entire idea of social justice that emerged for me from the consideration of the Nazi genocide.
I would also say that what became really hard for me is that if one wanted to criticize Israeli state violence – precisely because that as a Jew one is under obligation to criticize excessive state violence and state racism – then one is in a bind, because one is told that one is either self-hating as a Jew or engaging anti-Semitism. And yet for me, it comes out of a certain Jewish value of social justice. So how can I fulfill my obligation as a Jew to speak out against an injustice when, in speaking out against Israeli state and military injustice, I am accused of not being a good enough Jew or of being a self-hating Jew? This is the bind of my current situation.
Let me say one other thing about Jewish values. There are two things I took from Jewish philosophy and my Jewish formation that were really important for me… well there are many. There are many.
Sitting shiva, for instance, explicit grieving. I thought it was the one of the most beautiful rituals of my youth. There were several people who died in my youth, and there were several moments when whole communities gathered in order to make sure that those who had suffered terrible losses were taken up and brought back into the community and given a way to affirm life again. The other idea was that life is transient, and because of that, because there is no after world, because we don’t have any hopes in a final redemption, we have to take especially good care of life in the here and now. Life has to be protected. It is precarious. I would even go so far as to say that precarious life is, in a way, a Jewish value for me.
I realized something, through your way of thinking. A classic mistake that people made with Gender Trouble was the notion that body and language are static. But everything is in dynamic and in constant movement; the original never exists. In a way I felt the same with the Diaspora and the emancipation. Neither are static. No one came before the other. The Diaspora, when it was static, became separatist, became the shtetl. And when the emancipation was realized, it became an ethnocratic state; it also became separatist, a re-construction of the ghetto. So maybe the tension between the two, emancipation and Diaspora, without choosing a one or the other, is the only way to keep us out of ethnocentrism. I suppose my idea is not yet fully formulated. It relates to the way I felt that my grandfather was open to the language of exile while being connected to the land at the same time. By being open to both, emancipation and Diaspora, we might avoid falling into ethnocentrism.
You have a tension between Diaspora and emancipation. But what I am thinking of is perhaps something a little different. I have to say, first of all, that I do not think that there can be emancipation with and through the establishment of state that restricts citizenship in the way that it does, on the basis of religion? So in my view, any effort to retain the idea of emancipation when you don’t have a state that extends equal rights of citizenship to Jews and non-Jews alike is, for me, bankrupt. It’s bankrupt.
That’s why I would say that there should be bi-nationalism from the beginning.
Or even multi-nationalism. Maybe even a kind of citizenship without regard to religion, race, ethnicity, etc. In any case, the more important point here is that there are those who clearly believe that Jews who are not in Israel, who are in the Galut, are actually either in need of return ? they have not yet returned, or they are not and cannot be representative of the Jewish people. So the question is: what does it mean to transform the idea of Galut into Diaspora? In other words, Diaspora is another tradition, one that involves the scattering without return. I am very critical of this idea of return, and I think “Galut” very often demeans the Diasporic traditions within Judaism.
I thought that if we make a film about bi-nationalism, the opening scene should be a meeting of “The First Jewish Congress for Bi-Nationalism.” It could be a secret meeting in which we all discuss who we would like to be our first president, and the others there send me to choose you? because we need to have a woman, and she has to be queer. But not only queer, and not only woman. She has to be the most important Jewish philosopher today.
But seriously, you know, it would be astonishing to think about what forms of political participation would still be possible on a model of federal government. Like a federated authority for Palestine-Israel that was actually governed by a strong constitution that guaranteed rights regardless of cultural background, religion, ethnicity, race, and the rest. In a way, bi-nationalism goes part of the way towards explaining what has to happen. And I completely agree with you that there has to be a cultural movement that overcomes hatred and paranoia and that actually draws on questions of cohabitation. Living in mixity and in diversity, accepting your neighbor, finding modes of living together. And no political solution, at a purely procedural level, is going to be successful if there is no bilingual education, if there are no ways of reorganizing neighborhoods, if there are no ways of reorganizing territory, bringing down the wall, accepting the neighbors you have, and accepting that there are profound obligations that emerge from being adjacent to another people in this way.
So I agree with you. But I think we have to get over the idea that a state has to express a nation. And if we have a bi-national state, it’s expressing two nations. Only when bi-nationalism deconstructs the idea of a nation can we hope to think about what a state, what a polity might look like that would actually extend equality. It is no longer the question of “two peoples,” as Martin Buber put it. There is extraordinary complexity and intermixing among both the Jewish and the Palestinian populations. There will be those who say, “Ok, a state that expresses two cultural identities.” No. State should not be in the business of expressing cultural identity.
Why do we use term “bi-nationalism?” For me it is the beginning of a process, not the end. We could say “multi-nationalism,” or “one-state solution.” Why do we prefer to use the term “bi-nationalism” rather than “one state” now?
I believe that people have reasonable fears that a one-state solution would ratify the existing marginalization and impoverishment of the Palestinian people. That Palestine would be forced to accept a kind of Bantustan existence.
Or vice versa, for the Jews.
Well, the Jews would be afraid of losing demographic majority if voting rights were extended to Palestinians. I do think that there is the fundamental question of “Who is this ‘we’?” Who are we? The question of bi-nationalism raises the question of who is the “we” who decides what kind of polity is best for this land. The “we” has to be heterogeneous; it has to be mixed. Everyone who is there and has a claim – and the claims are various. They come from traditional and legal grounds of belonging that are quite complicated. So one has to be open to that complication.
Now I want to move to the last part of the conversation. It was over three years ago, at the beginning of the Second Lebanon war, that Slavoj Žižek came to Israel to give a speech on my film Forgiveness. The Campaign for the Academic and Cultural Boycott of Israel asked him not to come to the Jerusalem Film Festival. They said that I should show my film – as Israelis shouldn’t boycott Israel, but they asked international figures to boycott the festival.
Žižek, who was the subject of one of the films in the festival, said he would not speak about that film. But he asked: why not support the opposition in Israel by speaking about Forgiveness? They answered that he could support the opposition, but not in an official venue. He did not know what to do.
Žižek chose to ask for your advice. Your position then, if I recall correctly, was that it was most important to exercise, solidarity with colleagues who chose nonviolent means of resistance and that it was a mistake to take money from Israeli cultural institutions. Your suggestion to Žižek was that he speak about the film without being a guest of the festival. He gave back the money and announced that he was not a guest. There was no decision about endorsing or not endorsing a boycott. For me, at the time, the concept of cultural boycott was kind of shocking, a strange concept. The movement has since grown a lot, and I know that you’ve done a lot of thinking about it. I wonder what do you think about this movement now, the full Boycott, Diversion and Sanction movement (BDS), three years after that confusing event?
I think that the BDS movement has taken several forms, and it is probably important to distinguish among them. I would say that around six or seven years ago, there was a real confusion about what was being boycotted, what goes under the name of “boycott.” There were some initiatives that seemed to be directed against Israeli academics, or Israeli filmmakers, cultural producers, or artists that did not distinguish between their citizenship and their participation, active or passive, in occupation politics. We must keep in mind that the BDS movement has always been focused on the occupation. It is not a referendum on Zionism, and it does not take an explicit position on the one-state or two-state solution. And then there were those who sought to distinguish boycotting individual Israelis from boycotting the Israeli institutions. But it is not always easy to know how to make the distinction between who is an individual and who is an institution. And I think a lot of people within the U.S. and Europe just backed away, thinking that it was potentially discriminatory to boycott individuals or, indeed, institutions on the basis of citizenship, even though many of those who were reluctant very much wanted to find a way to support a non-violent resistance to the occupation.
But now I feel that it has become more possible, more urgent to reconsider the politics of the BDS. It is not that the principles of the BDS have changed: they have not. But there are now ways to think about implementing the BDS that keep in mind the central focus: any event, practice, or institution that seeks to normalize the occupation, or presupposes that “ordinary” cultural life can continue without an explicit opposition to the occupation is itself complicit with the occupation.
We can think of this as passive complicity, if you like. But the main point is to challenge those institutions that seek to separate the occupation from other cultural activities. The idea is that we cannot participate in cultural institutions that act as if there is no occupation or that refuse to take a clear and strong stand against the occupation and dedicate their activities to its undoing. So, with this in mind, we can ask, what does it mean to engage in boycott? It means that, for those of us on the outside, we can only go to an Israeli institution, or an Israeli cultural event, in order to use the occasion to call attention to the brutality and injustice of the occupation and to articulate an opposition to it.
I think that’s what Naomi Klein did, and I think it actually opened up another route for interpreting the BDS principles. It is no longer possible for me to come to Tel Aviv and talk about gender, Jewish philosophy, or Foucault, as interesting as that might be for me; it is certainly not possible to take money from an organization or university or a cultural organization that is not explicitly and actively anti-occupation, acting as if the cultural event within Israeli borders was not happening against the background of occupation? Against the background of the assault on, and continuing siege of, Gaza? It is this unspoken and violent background of “ordinary” cultural life that needs to become the explicit object of cultural and political production and criticism. Historically, I see no other choice, since affirming the status quo means affirming the occupation. One cannot “set aside” the radical impoverishment, the malnutrition, the limits on mobility, the intimidation and harassment at the borders, and the exercise of state violence in both Gaza and the West Bank and talk about other matters in public? If one were to talk about other matters, then one is actively engaged in producing a limited public sphere of discourse which has the repression and, hence, continuation of violence as its aim.
Let us remember that the politics of boycott are not just matters of “conscience” for left intellectuals within Israel or outside. The point of the boycott is to produce and enact an international consensus that calls for the state of Israel to comply with international law. The point is to insist on the rights of self-determination for Palestinians, to end the occupation and colonization of Arab lands, to dismantle the Wall that continues the illegal seizure of Palestinian land, and to honor several UN resolutions that have been consistently defied by the Israeli state, including UN resolution 194, which insists upon the rights of refugees from 1948.
So, an approach to the cultural boycott in particular would have to be one that opposes the normalization of the occupation in order to bring into public discourse the basic principles of injustice at stake. There are many ways to articulate those principles, and this is where intellectuals are doubtless under a political obligation to become innovative, to use the cultural means at our disposal to make whatever interventions we can.
The point is not simply to refuse contact and forms of cultural and monetary exchange – although sometimes these are most important – but rather, affirmatively, to lend one’s support to the strongest anti-violent movement against the occupation that not only affirms international law, but establishing exchanges with Palestinian cultural and academic workers, cultivating international consensus on the rights of the Palestinian people, but also altering that hegemonic presumption within the global media that any critique of Israel is implicitly anti-democratic or anti-Semitic.
Surely it has always been the best part of the Jewish intellectual tradition to insist upon the ethical relation to the non-Jew, the extension of equality and justice, and the refusal to keep silent in the face of egregrious wrongs.
I want to share with you what Riham Barghouti, from BDS New York, told me. She said that, for her, BDS is a movement for everyone who supports the end of the occupation, equal rights for the Palestinians of 1948, and the moral and legal demand of the Palestinians’ right of return. She suggested that each person who is interested, decide how much of the BDS spectrum he or she is ready to accept. In other words, endorsement of the boycott movement is a continuous decision, not a categorical one. Just don’t tell us what our guidelines are. You can agree with our principles, join the movement, and decide on the details on your own.
Yes, well, one can imagine a bumper sticker: “what part of ‘justice’ do you fail to understand?” It is surely important that many prominent Israelis have begun to accept part of the BDS principles, and this may well be an incremental way to make the boycott effort more understandable. But it may also be important to ask,
why is it that so many left [wing] Israelis have trouble entering into collaborative politics with Palestinians on the issue of the boycott, and why is it that the Palestinian formulations of the boycott do not form the basis for that joint effort? After all, the BDS call has been in place since 2005; it is an established and growing movement, and the basic principles have been worked out.
Any Israeli can join that movement, and they would doubtless fine that they would immediately be in greater contact with Palestinians than they otherwise would be. The BDS provides the most powerful rubric for Israeli-Palestinian cooperative actions. This is doubtless surprising and paradoxical for some, but it strikes me as historically true.
It’s interesting to me that very often Israelis I speak to say, “We cannot enter into collaboration with the Palestinians because they don’t want to collaborate with us, and we don’t blame them.” Or: “We would put them in a bad position if we were to invite them to our conferences.” Both of these positions presume the occupation as background, but they do not address it directly. Indeed, these kinds of positions are biding time when there is no time but now to make one’s opposition known. Very often, such utterances take on a position of self-paralyzing guilt which actually keeps them from taking active and productive responsibility for opposing the occupation even more remote.
Sometimes it seems to me that they make boycott politics into a question of moral conscience, which is different from a political commitment. If it is a moral issue, then “I” as an Israeli have a responsibility to speak out or against, to sink into self-beratement or become self-flagellating in public and become a moral icon. But these kinds of moral solutions are, I think, besides the point. They continue to make “Israeli” identity into the basis of the political position, which is a kind of tacit nationalism. Perhaps the point is to oppose the manifest injustice in the name of broader principles of international law and the opposition to state violence, the disenfranchisement politically and economically of the Palestinian people. If you happen to be Israeli, then unwittingly your position shows that Israelis can and do take positions in favor of justice, and that should not be surprising. But it does not make it an “Israeli” position.
But let me return to the question of whether boycott politics undermines collaborative ventures, or opens them up. My wager is that the minute you come out in favor of some boycott, divestment or sanctions strategy, Udi, you will have many collaborators among Palestinians. I think many people fear that the boycott is against collaboration, but in fact Israelis have the power to produce enormous collaborative networks if they agree that they will use their public power, their cultural power, to oppose the occupation through the most powerful non-violent means available. Things change the minute you say, “We cannot continue to act as normal.”
Of course, I myself really want to be able to talk about novels, film, and philosophy, sometimes quite apart from politics. Unfortunately, I cannot do that in Israel now. I cannot do it until the occupation has been successfully and actively challenged. The fact is that there is no possibility of going to Israel without being used either as an example of boycott or as an example of anti-boycott. So when I went, many years ago, and the rector of Tel Aviv University said, “Look how lucky we are. Judith Butler has come to Tel Aviv University, a sign that she does not accept the boycott,” I was instrumentalized against my will. And I realized I cannot function in that public space without already being defined in the boycott debate. So there is no escape from it. One can stay quiet and accept the status quo, or one can take a position that seeks to challenge the status quo.
I hope one day there will be a different political condition where I might go there and talk about Hegel, but that is not possible now. I am very much looking forward to teaching at Bir Zeit in February. It has a strong gender and women’s studies faculty, and I understand that the students are interested in discussing questions of war and cultural analysis. I also clearly stand to learn. The boycott is not just about saying “no” – it is also a way to give shape to one’s work, to make alliances, and to insist on international norms of justice. To work to the side of the problem of the occupation is to participate in its normalization. And the way that normalization works is to efface or distort that reality within public discourse. As a result, neutrality is not an option.
So we’re boycotting normalization.
That’s what we’re boycotting. We are against normalization. And you know what, there are going to be many tactics for disrupting the normalization of the occupation. Some of us will be well-equipped to intervene with images and words, and others will continue demonstrations and other forms of cultural and political statements. The question is not what your passport says (if you have a passport), but what you do. We are talking about what happens in the activity itself. Does it disrupt and contest the normalization of the occupation?
You remember that in Toronto declaration against the spotlight on Tel Aviv at the film festival, it was very clear that we do not boycott individuals, but the Israeli foreign minister tried to argue that we were boycotting individuals. Yet the question is about institutions. On that note, I want to clarify: You will not speak in Tel Aviv University… forever? Well, not forever…
When it’s a fabulous bi-national university [laughter]
Udi Aloni is an Israeli-American filmmaker and writer