dfw his legacy

DEATH IS NOT THE END:
David Foster Wallace: His Legacy and his Critics

By Jon Baskin

David Foster Wallace, who hanged himself in his home last September, wrote about authenticity, self-consciousness and the pursuit of happiness in America. It became a commonplace and then a cliché and then almost a taunt to call him the greatest writer of his generation, yet his project remained only vaguely understood when it was understood at all. With the benefit of time, it will be recognized that Wallace had less in common with Eggers and Franzen than he did with Dostoevsky and Joyce. Against what he believed to be the outmoded theoretical commitments of his predecessors and contemporaries, he labored to return literary fiction to the deep problems of subjective experience. Continue reading “dfw his legacy”

no

Harper’s Archive of DFW

Exuberant Riffs on a Land Run Amok
By Michiko Kakutani
September 14, 2008

David Foster Wallace used his prodigious gifts as a writer – his manic, exuberant prose, his ferocious powers of observation, his ability to fuse avant-garde techniques with old-fashioned moral seriousness – to create a series of strobe-lit portraits of a millennial America overdosing on the drugs of entertainment and self-gratification, and to capture, in the words of the musician Robert Plant, the myriad “deep and meaningless” facets of contemporary life. Continue reading “no”