Pluth, Ed. Signifiers and Acts: Freedom in Lacan’s Theory of the Subject. Albany: SUNY Press, 2007. Print.
I described the subject as meaning. What I am saying here adds an important supplement to this notion of a subject represent in and for the Other.
First, there is meaning: I am something for the Other, an object that satisfies the Other’s demands, or a significant, desirable object of the Other (like Xenophon). Then, either because of bodily experiences that cannot be signified or an encounter with the Other’s desire, or both, this position as a meaning is called into question. In the wake of these encounters, there are two major possibilities.
1. My position as a satisfying object or meaning for the Other can be reaffirmed. Fantasy is Lacan’s account of how this happens. In fantasy I try to reassert my position as the object of the Other’s desire, and my own desire is to remain such an object.
2. Another way is possible, and Lacan’s theory of the act discusses this. An act involves a different reaction to both the Other’s desire and the meaning constructed for us in the Other (78).
On my reading, Lacan does not come up with a unique and rigorous theory of the subject until his fourteenth and fifteenth seminars (79).
This subject can still be thought of as an “organized system of symbols,” but it is not something that gives this order meaning. Rather, the subject is identified with a meaning. This corresponds to what I spoke of in chapter 3 as the “subject-as-meaning,” a subject represented in the Other, and part of the Other’s discourse. But I have been claiming that Lacan was not satisfied with this version of the subject either. Again, the subject is always something like a consistency of signifiers in Lacan’s opinion, but this is actually only one aspect of the subject.
Lacan’s ultimate vision of the subject is achieved when the subject is portrayed as something between an organized system of symbols and what motivates that organization in the first place — events such as sexuality, jouissance, and the Other’s desire, all of which can be correlated with the real (79-80).
The definition of the subject that I want ot focus on now comes from Lacan’s fourteenth seminar.
A SUBJECT IS SITUATED AT THE JUNCTION AND DISJUNCTION OF THE BODY AND JOUISSANCE
It is not so much of a stretch then, to suggest that when Lacan says “body” here, we could also just as well say language. So not only does this definition reaffirm that a subject is neither language nor jouissance, it also tells us more about the structure of the subject. … in his ninth seminar Lacan was content with saying that the subject is between the two poles of language and the real. In this definition, the subject’s position is given more elaboration. The subject is situated at a junction and disjunction of the two with each other (80).