{"id":7218,"date":"2011-03-01T10:33:01","date_gmt":"2011-03-01T15:33:01","guid":{"rendered":"https:\/\/www.terada.ca\/discourse\/?p=7218"},"modified":"2013-06-07T11:09:52","modified_gmt":"2013-06-07T16:09:52","slug":"four-discourses-four-subjects","status":"publish","type":"post","link":"https:\/\/www.terada.ca\/discourse\/2011\/03\/01\/four-discourses-four-subjects\/","title":{"rendered":"\u017d four discourses four subjects"},"content":{"rendered":"<p>\u017di\u017eek, Slavoj. &#8220;Four Discourses, Four Subjects&#8221; in Cogito and the Unconscious. ed. Slavoj \u017di\u017eek, Duke UP, 1998. 75-113.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"master discourse\" src=\"http:\/\/i49.photobucket.com\/albums\/f277\/logocentric\/4discoursesMaster1.gif\" alt=\"\" width=\"301\" height=\"155\" \/><\/p>\n<p>The illusion of the gesture of the Master is the complete coincidence between the <span style=\"color: red; font-weight: bold;\">level of enunciation<\/span> (the subjective position from which I am speaking) and the level of <span style=\"color: #0000ff; font-weight: bold;\">the enunciated content<\/span>, that is, what characterizes the Master is a speech-act that wholly absorbs me, in which <span style=\"color: blue;\">&#8220;I am what I say,&#8221;<\/span> in short, a fully realized, self-contained performative.<\/p>\n<p>Such an ideal coincidence, of course, precludes the dimension of fantasy, since <span style=\"background-color: yellow; font-weight: bold;\">fantasy emerges precisely\u00a0 in order to fill in the gap between the <span style=\"color: blue;\">enunciated content<\/span> and its <span style=\"color: red; font-weight: bold;\">underlying position of enunciation<\/span><\/span>.<\/p>\n<p>Fantasy is an answer to the question, &#8220;You are telling me this, but why? What do you really want by telling me this?&#8221;<\/p>\n<blockquote><p><span style=\"color: #000000;\">The fact that the dimension of fantasy nonetheless persists thus simply signals the ultimate unavoidable failure of the Master&#8217;s discourse.<\/span><\/p><\/blockquote>\n<p>There is thus no reason to be dismissive of the discourse of the Master, to identify it too hastily with &#8220;authoritarian repression&#8221;: the Master&#8217;s gesture is the founding gesture of every social link.\u00a0 Let us imagine a confused situation of social disintegration, in which the cohesive power of ideology loses its efficiency: in such a situation, the Master is the\u00a0 one who invents a new signifier, the famous &#8220;<strong>quilting point<\/strong>,&#8221; which again stabilizes the situation and makes it readable; the<strong> university discourse<\/strong> that then elaborates the network of Knowledge that sustains this readability by definition presupposes and relies on the initial gesture of the Master.\u00a0 The Master adds no new positive content \u2014 he merely adds a <em>signifier<\/em>, which all of a sudden turns disorder into order, into &#8220;new harmony,&#8221; &#8230; Therein resides the magic of a Master: although there is nothing new at the level of positive content, &#8220;nothing is quite the same&#8221; after he pronounces his Word. &#8230;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"university discourse\" src=\"http:\/\/i49.photobucket.com\/albums\/f277\/logocentric\/4discoursesUNIVERSITY.gif\" alt=\"\" width=\"308\" height=\"132\" \/><\/p>\n<p>The University discourse is enunciated from the position of &#8220;neutral&#8221; Knowledge; it addresses the remainder of the real\u00a0 (say, in the case of pedagogical knowledge, the &#8220;raw, uncultivated child&#8221;), turning it into the subject . \u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" title=\"barred subject\" src=\"http:\/\/i49.photobucket.com\/albums\/f277\/logocentric\/BarredSubject.gif\" alt=\"\" width=\"17\" height=\"34\" \/> .\u00a0 The &#8220;truth&#8221; of the university discourse, hidden beneath the bar, of course, is power (i.e., the Master-Signifier):<\/p>\n<blockquote><p><span style=\"color: #000000;\">the constitutive lie of the university discourse is that it disavows its performative dimension, presenting what effectively amounts to a political decision based on power as a simple insight into the factual state of things.<\/span><\/p><\/blockquote>\n<p>What one should avoid here is the <strong>Foucaultian misreading<\/strong>: <span style=\"color: blue;\">the produced subject is not simply the subjectivity that arises as the result of the disciplinary application of knowledge-power, but its <span style=\"color: red; font-weight: bold;\">remainder<\/span>, that which eludes the grasp of knowledge-power<\/span>. &#8220;Production&#8221; (the fourth term in the matrix of discourses) does not stand simply for the result of the discursive operation, but rather for its &#8220;indivisible remainder,&#8221; for the excess that resists being included in the discursive network (i.e., for what the discourses itself produces as the foreign body in its very heart). 78<\/p>\n<p>Suffice it to recall the market expert who advocates strong budgetary measures (cutting welfare expenses, etc.) as a necessity imposed by his neutral expertise devoid of any ideological biases: what he conceals is the series of power-relations (from the active role of state apparatuses to ideological beliefs) that sustain the &#8220;neutral&#8221; functioning of the market mechanism. 79<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"discourse of hysteric\" src=\"http:\/\/i49.photobucket.com\/albums\/f277\/logocentric\/4discoursesHysteric.gif\" alt=\"\" width=\"288\" height=\"140\" \/><\/p>\n<p>In the hysterical link, the . <img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" title=\"barred subject\" src=\"http:\/\/i49.photobucket.com\/albums\/f277\/logocentric\/BarredSubject.gif\" alt=\"\" width=\"17\" height=\"34\" \/> . over <span style=\"font-weight: bold; font-style: italic; font-size: 12pt;\">a<\/span> stands for the subject who is divided, traumatized, by what an object she is for the Other, what role she plays in Other&#8217;s desire: &#8220;Why am I what you&#8217;re saying that I am?&#8221; &#8230; What she expects from the Other-Master is knowledge about what she is as object (the lower level of the formula).<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" title=\"analyst discourse\" src=\"http:\/\/i49.photobucket.com\/albums\/f277\/logocentric\/4discoursesANALYST2.gif\" alt=\"\" width=\"290\" height=\"138\" \/><\/p>\n<p>In contrast to hysteria, the pervert knows perfectly what he is for the Other: a knowledge supports his position as the object of Other&#8217;s (divided subject&#8217;s) <span style=\"color: red; font-weight: bold;\">jouissance<\/span>. For that reason, <strong>the matheme of the discourse of perversion is the same as that of the analyst&#8217;s discourse.<\/strong><\/p>\n<p>Lacan defines perversion as the inverted fantasy (i.e., his matheme of perversion is <strong>a-$<\/strong>), which is precisely the upper level of the analyst&#8217;s discourse. The difference between the social link of perversion and that of analysis is grounded in the radical ambiguity of <span style=\"font-weight: bold; font-style: italic; font-size: 12pt;\"> objet petit a<\/span> in Lacan, which stands simultaneously for the imaginary fantasmatic lure\/screen AND for that which this lure is obfuscating, for the void behind the lure.<\/p>\n<p>*So when we pass from perversion to the analytic social link, <span style=\"color: red; font-size: 14pt;\">the agent (analyst) reduces himself to the void, which provokes the subject into confronting the truth of his desire<\/span>. Knowledge in the position of \u201ctruth\u201d below the bar under the \u201cagent,\u201d of course, refers to the supposed knowledge of the analyst, and, simultaneously, signals that the knowledge gained here will not be the neutral objective knowledge of scientific adequacy, but the knowledge that concerns the subject (analysand) in the truth of his subjective position.<\/p>\n<p>In this precise sense, <span style=\"color: red; font-size: 14pt;\">the analyst\u2019s discourse produces the master signifier<\/span>, the swerve of the patient\u2019s knowledge, the surplus element that situates the patient\u2019s knowledge at the level of truth: <span style=\"color: blue;\">after the master signifier is produced, even if nothing changes at the level of knowledge, the same knowledge as before starts to function in a different mode<\/span>. <span style=\"color: red; font-size: 14pt;\">The master signifier is the unconscious sinthome<\/span>, the cipher of enjoyment, to which the subject was unknowingly subjected.<\/p>\n<p>*Text here is modified according to https:\/\/www.terada.ca\/discourse\/?p=7106<\/p>\n<p>So, if a political Leader says &#8220;I am your Master, let my will be done!&#8221; this direct assertion of authority is <span style=\"color: blue;\">hystericized<\/span> when the subject starts to doubt his qualification to act as a Leader (&#8220;Am I really their Master?&#8221; What is in me that legitimizes me to act like that?&#8221;); it can be masked in the guise of the <span style=\"color: #0000ff; font-weight: bold;\">university discourse<\/span> (&#8220;In asking you to do this, I merely follow the insight into objective historical necessity, so I am not your Leader, but merely your servant who enables you to act for your own good. &#8230;&#8221;); or, the subject can act as a blank, suspending his symbolic efficiency and thus compelling his Other to become aware of how he was experiencing another subject as a Leader only because he was treating him as one.<\/p>\n<p>It should be clear, from this brief description, how <strong>the position of the &#8220;agent&#8221; in each of the four discourses involves a specific mode of subjectivity<\/strong>:<\/p>\n<p>&#8211; the <span style=\"color: #0000ff; font-weight: bold;\">Master<\/span> is the subject who is fuly engaged in his (speech) act, who, in a way, &#8220;is his word,&#8221; whose word displays an immediate performative efficiency;<\/p>\n<p>&#8211; the agent of the <span style=\"color: #0000ff; font-weight: bold;\">university discourse<\/span> is, on the contrary, fundamentally <span style=\"color: #0000ff;\">disengaged<\/span>: he posits himself as the self-erasing observer (and executor) of &#8220;objective laws&#8221; accessible to neutral knowledge (in clinical terms, his position is closest to that of the pervert).<\/p>\n<p>&#8211; the <span style=\"color: #0000ff; font-weight: bold;\">hysterical<\/span> subject is the subject whose very existence involves radical doubt and questioning, his entire being is sustained by the uncertainty as to what he is for the Other; insofar as the subject exists only as an answer to the enigma of the Other&#8217;s desire, <span style=\"color: #0000ff; font-weight: bold;\">the hysterical subject is the subject par excellence<\/span>.<\/p>\n<p>Again, in clear contrast to it, the <span style=\"color: #0000ff; font-weight: bold; font-size: 14pt;\">analyst<\/span> stands for the paradox of the <span style=\"color: red; font-size: 14pt;\">desubjectivized subject<\/span>, of the subject who fully assumed what Lacan calls <span style=\"color: red; font-size: 14pt;\">&#8220;subjective destitution&#8221;<\/span> that is, <span style=\"color: #0000ff; font-weight: bold;\">who breaks out of the vicious cycle of intersubjective dialectics of <span style=\"color: red; font-weight: bold;\">desire<\/span> and turns into an acephalous being<\/span> of <span style=\"font-weight: bold; font-style: italic; font-size: 14pt;\">pure drive<\/span>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u017di\u017eek, Slavoj. &#8220;Four Discourses, Four Subjects&#8221; in Cogito and the Unconscious. ed. Slavoj \u017di\u017eek, Duke UP, 1998. 75-113. The illusion of the gesture of the Master is the complete coincidence between the level of enunciation (the subjective position from which I am speaking) and the level of the enunciated content, that is, what characterizes the &hellip; <a href=\"https:\/\/www.terada.ca\/discourse\/2011\/03\/01\/four-discourses-four-subjects\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;\u017d four discourses four subjects&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[124,125,12,21,24,72,123,76,15,70,20],"tags":[],"class_list":["post-7218","post","type-post","status-publish","format-standard","hentry","category-4-discourses","category-drive","category-fantasy","category-jouissance","category-lacan","category-objet-a","category-sinthome","category-sub-destitute","category-subjectivity","category-traversing-the-fantasy","category-zizek"],"_links":{"self":[{"href":"https:\/\/www.terada.ca\/discourse\/wp-json\/wp\/v2\/posts\/7218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.terada.ca\/discourse\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.terada.ca\/discourse\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.terada.ca\/discourse\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.terada.ca\/discourse\/wp-json\/wp\/v2\/comments?post=7218"}],"version-history":[{"count":19,"href":"https:\/\/www.terada.ca\/discourse\/wp-json\/wp\/v2\/posts\/7218\/revisions"}],"predecessor-version":[{"id":7220,"href":"https:\/\/www.terada.ca\/discourse\/wp-json\/wp\/v2\/posts\/7218\/revisions\/7220"}],"wp:attachment":[{"href":"https:\/\/www.terada.ca\/discourse\/wp-json\/wp\/v2\/media?parent=7218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.terada.ca\/discourse\/wp-json\/wp\/v2\/categories?post=7218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.terada.ca\/discourse\/wp-json\/wp\/v2\/tags?post=7218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}