Practices of identity reproduction and new acts of identification also presuppose a subject of enjoyment that is structured around certain fantasies. Fantasy is a narrative that covers-over or conceals the subject’s lack by providing an image of fullness, wholeness, or harmony, on the one hand, while conjuring up threats and obstacles to its realization on the other. When successfully installed, a fantasmatic narrative hooks the subject ”via the enjoyment it procures” to a given practice or order, or a promised future practice or order, thus confering identity … the categories of enjoyment and fantasy are relevant for thinking about issues of ideology and ethics. (130)