In this book Molly Anne Rothenberg makes clear that progressive political theorists need to re-think their understanding of the subject because the current deadlock has resulted in either structuralist dead-ends, or immanentist ‘Foucaultian’ type analyses that don’t account for the nature of agency and resistance, and so can’t with any sort of robustness contribute to an understanding of social change that includes an idea of radical subjectivity. According to Rothenberg, social theory has been deadlocked around these two versions of subjective agency and their respective theories of causality. She suggests that we toss these theories into the wastebin, and look at an newly emerging way of thinking the ‘social field’ reflected in the recent work of Alain Badiou, Slavoj Zizek and Alenka Zupancic. I think she benefits most from the theory of Badiou, but is definitely influenced by the latter two as well. Critical of Zizek’s notion of the Act, she nonetheless draws much theoretical weight from his notion of subjective destitution, which Rothenberg, much to her credit, takes to new heights in this book. It is a difficult concept, but one can see Rothenberg struggling to articulate a new approach to thinking subjectivity and its articulation to the social field through an ‘excess’ and a ‘relation of non-relation’. Her final chapter rewards the reader’s discipline (the book overall is a challenging yet clear and insightful read) and patience. Taking up an alternative reading of Melville’s Bartleby, R. allows the reader to get a further handle on her theory of the ‘excessive subject’. Additionally the reading of Felix Guattari’s early work shows the extent to which R. does not shy away from seeking to show how a relation to ‘excess’ via a Möbius subjectivity allows us to begin to think a radical newness and an ethicality that is truly radical and original. Buy this book.
Note: Adam Kotsko in the latest installment of the Journal of Zizek Studies, helpfully points out that Zizek reads Agota Kristof’s novel The Notebook, and claims the twin boy characters as new vehicles of a radical ethical subjectivity. One certainly wonders what Rothenberg would make of this, that is, whether she would see this as a more positive elaboration by Zizek of his important notion of the de-constituted subject, hence shadowing her idea of the Möbius subject? Reading Kotsko’s article together with Rothenberg’s book, gives me the impression that there is a subtle groundswell for a different articulation of the subject that gets us beyond many of the deadlocks that have stymied creative and radical theory for so long now.