Far from just throwing herself into the jaws of death, possessed by a strange wish to die or to disappear, Sophocles’s Antigone insists up to her death on performing a precise symbolic gesture: the proper burial of her brother. Like Hamlet, Antigone is a drama of a failed symbolic ritual — Lacan insisted on this continuity (he had analyzed Hamlet in the seminar that preceded The Ethics of Psychoanalysis, which deals with Antigone). Antigone does not stand for some extra-symbolic real, but for the pure signifier-her “purity” is that of a signifier. This is why, although her act is suicidal, the stakes are symbolic: her passion is the death drive at its purest-but here, precisely, we should distinguish between the Freudian death drive and the Oriental nirvana. What makes Antigone a pure agent of the death drive is her unconditional demand for the symbolic ritual to be performed, an insistence which allows for no displacement or other form of compromise-this is why Lacan’s formula of drive is $—D: the subject unconditionally insisting on a symbolic demand. LTN 84