pluth for butler is the subject anything other than language

Pluth, Ed. Signifiers and Acts: Freedom in Lacan’s Theory of the Subject. Albany: New York, 2007.

Butler does not, as far as I am aware, ever say anything like “the subject is language,” and I do not believe her theory ever suggests such an equation. In fact, at some points Butler seems to suggest that a subject is not identical to its identity. If identity is discursively constructed, then this might lead one to think that the subject is also something other than discourse. One could have an identity constituted by language and a subject who is not entirely absorbed by this identity (142).

I have been arguing that when Lacan makes the subject something separate from identity, he also means that  the subject is not reducible to language or discourse. This is because he also takes the event of sexuality into account when describing the subject’s genesis. Lacan’s theory is an example of a nontranscendental view of the subject that does not reduce the subject to language or any other of its elements (the real, or jouissance). Neither transcendental to the field that constitutes it, nor immanent in that field, the subject according to Lacan is a function that results from language’s effects on the body.

Instead of understanding the subject in terms of a function or effect, Butler opts for an immanent view of the subject. 142

But equally essential to Lacan’s theory is the idea that the subject is neither reducible to nor immanent in language.  This means that an outside of discourse, an outside found in the body, the real, or jouissance, is a necessary component of Lacan’s theory of the subject (143).

pluth on the act

Pluth, Ed. Signifers and Acts: Freedom in Lacan’s Theory of the Subject. Albany: State University of New York Press, 2007.

Originally published on: May 12, 2009 @ 13:53

the act does not depend on gaining recognition from the Other

involves doing something with signifiers

not far from Austin’s performative speech act but Lacan is not interested on acts that change the situation of the world or the set of facts within it . Lacan focuses on acts that change the structure of the subject If Austinian speech acts change the state of affairs in the world —making meetings closed, bachelors married, and so on— then Lacanian speech acts change the subject (101).

The act means crossing a certain threshold

Pluth goes on, “Notice that Austinian speech acts, in contrast, are not at all transgressive but are in fact highly ritualized and codified. The conditions for the success of an Austinian speech act largely depend upon the existence of social guarantees and rituals. Marriages, for example, are only successfully accomplished when performed under very specfic circumstances, and by the proper authorities. According to Lacan’s conception, however, an act transforms a subject, and even though it occurs with signifiers, it does not happen by following a preestablished ritual or code. Also, of course, there is no authority that can ensure the legitimacy of such an act. 101

It is not the case that someone is simply changed by an act: he or she is reinaugurated as a subject. Where there was a certain structure or law operative for a subject prior to an act —imagine this to be an unconscious law, the kind of meaning and determination constructed by the fantasy— an act brings about a transformation in this structure and thereby inaugurates a new subject. In this way, an act situates one outside such a law, and for this reason it is appropriate to consider acts to be transgressive. 102

pluth fort-da

Pluth, Ed. Signifers and Acts: Freedom in Lacan’s Theory of the Subject. Albany: State University of New York Press, 2007.

This blog entry was originally published on May 10, 2009 14:17

Fort-Da game is a repeated, attempt to exorcise a traumatic event.  Yet instead of leading to a simple release of libidinal tension, and perhaps a dissolution of the traumatic event, the Fort-Da game sublates that tension into a signifying activity —canceling the event out as an affective tension, yet preserving it as a signifying tension in the form of a compulsive linguistic repetition.

… in the Fort-Da game, where the traumatic event is also simply being said, or named, by being taken up into signifiers. Yet there is no production of meaning by these signifiers, and the game does not use signifiers as part of an attempt to obtain a recognition of the trauma from the Other.

In other words, the game is not making a demand on the mother to satisfy the child’s needs. It merely repeats a trauma or signifying impasse that causes the subject and is an act in which the subject is disjoined from an Other who can bestow and guarantee recognition. 104

The signifying activity involved in the act achieves something fundamentally different from what fantasy achieves.

In an act, a subject does not constitute itself as a satisfying object of the Other’s desire, and in it a subject is not demanding recognition of its own desire by the Other either. Rather, a subject is simply using signifiers autonomously, as it were, in a signifying repetition of a libidinal event. Perhaps this gives us a further hint as to why Lacan calls an act transgressive: an act uses the Other’s language against, despite, and without, the Other, in what could be called a profound indifference to the Other (104).

pluth jouissance

Pluth, Ed. Signifiers and Acts: Freedom in Lacan’s Theory of the Subject. Albany: SUNY Press, 2007.  Print.
excessive unbearable tension, a tension that does not go away a tension that cannot be “relieved” by means of signifiers, because there is no signifier for it

for which the language of pleasure and displeasure is not adequate.

There is thus a radical tension between this jouissance beyond the pleasure principle and the order of signifiers (75).

For this reason, jouissance should be thought of in terms of real2 — something that is not prior to and outside of signifiers but that appears within signifiers as an impasse in signification (77).

Jouissance is an impasse in the fabric of meaning, but in neurosis it is at least put into a relation with that fabric. In psychosis, this relation is missing, and there is a radical gulf between the symbolic and the real.  In neurosis, there is also a gulf, but here is also a project to build a bridge across the gulf, an attempt to elaborate on a relation between the two.

This study has at least given an indication now of how the body plays a role in Lacan’s theory of the subject.  The body is the site and origin of a signifying impasse. Now this is not what Lacan usually calls the body in his theory. As we have seen the  body is usually for Lacan something “overwritten” with signifiers.   For this reason, Lacan was not inclined to say that the “stirring” in Little Han’s genitals was something that involved his body. Little Hans already had a body image prior to this stirring. The emergence of genital sexuality introduced something that did not fit into this image — and so, Han’s penis, when it started acting up, was not something he experience as “his.”  Nevertheless, from another point of view, this jouissance was indeed coming from Han’s body. What needs to be explained now is how this impasse originating in the body — an impasse that can be abbreviated under the heading of sexualityplays a role in the production of the subject (78).

critique of butler from copjec perspective using real

Dyess, Cynthia and Tim Dean, “Gender: The Impossibility of Meaning.” Psychoanalytic Dialogues, 10:5 (2000): 735 – 56.  Web. Oct 5, 2009.

So when Lacan points out that “the signifier can’t signify itself,” he is drawing our attention not only to what has yet to be signified, but more fundamentally to the negative effects of the real, to what is outside the symbolic. Furthermore, once we agree with Lacan that the formal properties of discourse are determined by factors outside our grasp, we can consider a dimension of subjectivity that cannot be placed in the harness of language, that is not manipulable in rhetorical terms.  … Lacan’s concept of the real is intended to designate just this impossibility, the internal fissure or constraint that we are constitutively unable to grasp. (743).

Like Butler, Copjec is also aware of gender’s radical contingency, but whereas for Butler this is an effect of its social construction, for Copjec it is an effect of its location in the real. Although Butler leaves herself open to the charge of voluntarism, the idea that gender can be performed at will, Copjec emphasizes that, by virtue of its position in the Lacanian real, gender is no more subject to our manipulation than is the unconscious itself.

Another way of putting this is to say that, at the most basic level, Butler’s account of gender doesn’t leave room for the unconscious. Butler’s theory encourages us to rethink gender in terms of its possibilities; Copjec responds by pointing to a fundamental impossibility that inheres to gender. This doesn’t mean that Copjec is defeatist, but rather that she is familiar with the limit conditions imposed upon us by the unconscious and believes that a psychoanalytic theory of gender should account for these (745-6).

However, by locating gender in the real, Copjec is insisting that sexual difference resists meaning, rather than gives rise to competing meanings. …

For Butler … there is no viable distinction between the concept or discourse of gender and gender itself. On this point, Copjec lays bare the core difficulty in Butler’s argument. Referring to Butler’s conflation of concept and thing, Copjec (1994) wrote, “To speak of the deconstruction of sex makes about as much sense as speaking about foreclosing a door; action and object do not belong to the same discursive space”(p. 210). And this is precisely the position Butler occupies when, after noting that signification is always in process, she assumes that there is no stability of gender.

Deconstruction applies only to discourse, or in this case to the concept of gender. Although agreeing with Butler that the conceptual dimension of gender (i.e., its meaning) is always unstable, Copjec aims to argue further. Indeed, Copjec allows us to take the desubstantialization of gender one radical step further by describing how gender’s meaning is necessarily incomplete, not because of its unstable linguistic properties, but rather because it involves an inherent impossibility that arises as a consequence of its nonlinguistic dimension (746).

Copjec’s interpretation of the impossibility that Lacan presents us with nonetheless encourages us to think about the nonsymbolic, nonimaginary aspect of gender—in other words, she helps us to think gender in the real. Copjec’s use of Lacan’s sexuation graphs has some intuitive appeal. In talking about the limits of reason and about the real as a limit internal to language, Copjec shifts our attention away from what is imposed from the outside, whether it be the effects of an oppressive social regime, on one hand, or of brute materiality, on the other. Copjec is interested less in the external limits proffered by social constructivism or biological determinism than in a limit internal to language itself — the Lacanian real and the impasse in meaning that it creates. Being situated in the real, which is itself a negative instance, gender has no positive content. In this schema, gender is not an incomplete entity, but a totally empty one. Facing off with Butler, who by joining gender and signification makes gender something which communicates itself to others, Copjec (1994) argued:

When, on the contrary, sex is disjoined from the signifier, it becomes that which does not communicate itself, that which marks the subject as unknowable. To say that the subject is sexed is to say that it is no longer possible to have any knowledge of him or her. Sex serves no other function than to limit reason, to remove the subject from the realm of possible experience or pure understanding. This is the meaning, when all is said and done, of Lacan’s notorious assertion that “there is no sexual relation”: sex, in opposing itself to sense, is also, by definition, opposed to relation, to communication [p. 207].

Copjec is taking us much further than perhaps Lacan himself intended. It’s not merely that “there is no relation” (i.e., no symmetrical or complementary relation between men and women), but that sexual difference itself has no signifier, that it is not fully representable. Imaginary constructions of the difference between the sexes are fantasies—ways in which we provide ourselves with answers to impossible questions. In aligning sexual difference with the structural incompleteness of language—the impossibility of articulating this difference — Copjec puts her finger on its traumatic dimension, and this component of experience is something for which deconstruction has no vocabulary. According to Copjec, this is fundamentally what sexual difference is—a difference that cannot be determined. From this perspective, essentialism and social constructivism are efforts to negate this impossibility, this impasse of reason.

copjec sexuation mathematical

Copject, Joan. Supposing the Subject. 1994. New York: Verso, 1996.  Print.

We surrender our access to jouissance upon entering language.

It is the impasses of language that create the experience of the inexperiencable, the unsayable … Each side of the table describes a different impasse by means of which this question of the outside of language is raised, a different manner of revealing the essential powerlessness of speech.

But while the phallic function produces on each side a failure, it does not produce a symmetry between the sides (28).

What is a mathematical antinomy? How would we describe the conflict that defines it? (29)

Reason aims at the unconditional whole, THE ABSOLUTE OF ALL PHENOMENA.  This attempt produces two conflicting propositions regarding the nature of this all —

  • a thesis: the world has a beginning in time and is limited in space
  • an antithesis: the world has no beginning and no limits in space, but is, in relation both to time and space, infinite.

🙂 Kant argues that both of these can prove the falsity of the other, but have a hard time proving their own truth value.  He then says, rather than having to decide between these two alternatives we need not despair, because we do NOT have to choose either one because THEY ARE BOTH FALSE.

  • bodies smell good
  • bodies smell bad

Both are false, because they don’t take into consideration a third possibility: bodies are odourless.

“Are you still beating your wife” Whether one answers ‘yes’ or ‘no’, it is implied in the very question that one beat one’s wife in the past.

The form of the question, while seeming to allow the addressee to supply any answer he chooses, in fact allows him only to choose among contraries. It does not allow him to negate the accusation implicit in the question.

Kant avoids the skeptical impasse by refusing to answer the question ‘Is the world finite or infinite?’ and by negating instead the assumption implicit in the question: the world is.  (30)

🙂 The assumption that the world exists is ill founded.

When [Lacan] says “the woman is not-all”, he demands that we read this statement as an INDEFINITE JUDGEMENT.

  • a thesis: the world has a beginning in time and is limited in space

There is no phenomenon that is not an object of possible experience (or not subject to the rule of regress).

  • an antithesis: the world has no beginning and no limits in space, but is, in relation both to time and space, infinite.

Our acknowledgment of the absence of a limit to the set of phenomena does not oblige us to maintain the antithetical position — that they are INFINITE — rather, it obliges us to recognize the basic FINITUDE of all phenomena, the fact that they are inescapably subject to conditions of time and space and must therefore be encountered one by one, indefinitely, without the possibility of reaching an end, a point where all phenomena would be known. (31)

[According to Kant] our reason is limited because the procedures of our knowledge have no term, no limit.  What limits reason is a lack of limit.