over-proximity

Tutt, Daniel. The Object of Proximity: The Ethics of Psychoanalysis in Žižek and Santner via Lacan. American University Also available here danielp.tutt(at)gmail.com

The Psychotheology of Over-Proximity

The ethical problem of proximity to the neighbor introduces a number of ethical implications for ethics, and the ethical relation to the Other in Eric Santner’s work, The Psychotheology of Everyday Life. For Santner, the ultimate problem of the neighbor is based on the whether the subject accepts the Other (or neighbor) in their jouissance, or REAL excess, and in so doing, how they come to handle this over-proximity. Santner characterizes the Freudian “mental excess” (what Lacan would later deem jouissance) as an “excess of validity over meaning,” as the “undeadness of biopolitical life,” and his primary ethical concern is in how to convert the excess into a “blessings of more life.”[25] This mental excess that the subject inhabits, or what Santner refers to as “undeadness” colors everyday life as “a paradoxical kind of mental excess that constrains by means of excess.”[26] Santner develops a slightly different type of Otherness than that of Lacan, based on Jean Laplanche’s psychoanalytic theory of “seduction. ” Laplanche was an intimate student and colleague of Lacan, and in his conception of the Other, or the “enigmatic signifier” the traumatic encounter with the Other’s desire becomes constitutive of the inner strangeness we call the unconscious itself. Therefore, unlike the Lacanian Other, Santner’s Other is stripped of its material properties, a position that evokes Derrida’s notion of the spectral aura of the Other:

“the other is not reducible to its actual predicates, to what one might define or thematize about it, anymore than the I is. It is naked. Bared of every property, and this nudity is also its infinitely exposed vulnerability: its skin. This absence of determinable properties, of concrete predicates, of empirical visibility, is not doubt what gives to the face of the other a spectral aura.” [Derrida, Adieu. To Emmanuel Levinas, pg. 111]

The subject is placed in a relationship with the enigma of the Other’s desire not through language (as in Lacan) but through an unconscious transmission that is neither simply enlivening nor simply deadening but rather “undeadening” – the encounter with the Other produces an internal alienness that has a sort of vitality, and yet belongs to no life at all. This “undeadness” creates an encounter with legitimation, or what Freud referred to as the death drive, a “too much-ness” of pressure and the build of an urge to put an end to it.

Santner’s ethics at this point, in light of the crisis of symbolic identity is concerned with whether we ought to assume our identity in the social body based on the symbolic mandates that determine our identity, or whether the subject ought to break with this system. The two poles of ethical action he develops are the “sciences of symbolic identity,” and the “ethics of singularity.” The strength of Santner’s ethical position is that only when we “truly inhabit the midst of life” are we able to “loosen the fantasy” that structures everyday life.

Thus, similar to what we see in Lacan, to own one’s fantasy is to really live as a free subject, aiming at the truly ethical question that Lacan poses: “have you acted in conformity with the desire which inhabits you?” for it is desire that aims at the real.

The Crisis of Symbolic Investiture

How the subject in Santner’s the Psychotheology, as well as Lacan’s ethical subject deals with “the crisis of symbolic investiture” are a matter of ethics, which we will explore below.

For both Lacan and Santner, ethics requires a confrontation with the Other to free oneself of the Other and then surrender to the real, or everyday life. The confrontation with everyday life, or the Lacanian real is a collapse of the subject’s symbolic constructed identity.

The symbolic identity crisis that Lacan and Santner refer to can be more clearly understood through Santner’s reading of the book Soul Murder, and Lacan’s theory of the Name of the Father. Soul Murder and Name of the Father are instructive to understanding how “the crisis of symbolic investiture” operates through psychoanalytic theory.   Both Lacan and Santner refer to the crisis of symbolic identity when discussing the infamous case of the Judge Daniel Schreber, who upon receiving the symbolic authority in society as a Judge experienced a total psychotic breakdown where his very ability to assume a symbolic identity rooted in authority became penetrated with “a kernel of invasiveness, which introduced the subject into too much reality.” What is it about this “too much reality” that created the conditions for the “the crisis of symbolic investiture?” To fully understand this crisis, a reading of Lacan’s late capitalist “university discourse” and the complex insertion of the Name of the Father bring the crisis into more clarity.

ethics pluth

Tutt, Daniel. The Object of Proximity: The Ethics of Psychoanalysis in Žižek and Santner via Lacan. American University Also available here danielp.tutt(at)gmail.com

In the Ethics of Psychoanalysis, Lacan develops the neighbor as “das Ding”, (the Thing) a pre-symbolic object characterized primarily by affect and appearing in the symbolic realm prior to any and all representation.[5]

Das Ding is a substanceless void, and in structure it is equivalent to the neighbor, or the Other.

The Other[6] takes on a “thing-like” character based on an excess materiality that always resists symbolization in the register of the real. This Other as object is filled in by a certain distance, what Lacan refers to as proximity, a proximity that is identical to the neighbor. As Lacan comments, “the neighbor is identical to the subject, in the same way that one can say the Nebenmensch that Freud speaks of as the foundation of das Ding as his neighbor.”[8] Lacan’s theory of the neighbor-as-das-Ding is rooted in Freud’s conception of das Ding: “and so the complex of the neighbor divides into two constituent parts the first of which impresses through the constancy of its compos[i]tion, its persistence as a Thing, while the other is understood by means of memory-work…”[9]

Lacan characterizes das Ding as “a primordial function located at the level of the unconscious Vorstellungen.”[10] Das Ding ultimately indicates that there is no sovereign good; and thus no possibility to constitute the good in the realm of the subject. “There is good and bad and then there is das Ding” – the Thing remains unfathomable, an excess, outside of the moral relationship.

Lacan’s Ethics: A Matter of Form and Freedom

… Lacanian ethics, as Zupancic correctly points out,… it is something that happens to us, it throws us out of joint, because it always inscribes itself in a given continuity as a rupture, a break or interruption. This is when ethics comes into play; i.e. will I act in conformity to what threw me out of joint? For Lacan, emphasis is placed on desire, “have you acted in conformity with the desire which inhabits you?” for after all, it is desire that aims at the real.[17]

Das Ding, in The Ethics of Psychoanalysis … [is] that which manifests desire for the real. Thus, the real, in ethical terms is an extra moral matter, similar to what we find in Kant’s moral system.

“If a man is to become not merely legally, but morally, a good man… this cannot be brought about by gradual reformation so long as the basis of the maxims remain impure, but must be affected through a revolution in the man’s disposition… He can become a new man only by a kind of rebirth, as it were through a new creation.”[Kant, Immanuel Religion Within the Limits of Reason Alone, Pg. 42 – 43]

Kant and Lacan are both placing ethics, and ethical change ex nihilo, and both develop their ethical systems out of a material excess, for Kant the excess is pathology, and for Lacan it is objet petite a. [21] Both systems are seeking to manage the “excess of the real,” and Zupancic argues, Lacan’s passage a la act is identical to Kant’s allegiance on form in his development of the Groundwork. For Lacan, the faculty of desire does not point to any particular act of desiring but to the frame of desiring as such, similar to how Kantian form points to duty.

The surplus in relation to legality and to the ethical is what is dealt with by form – the main point being that for Kant it is incumbent to follow the form of duty. Kantian ethics demands that an action not only conform to duty, but it mandates this conformity be the only content or motive of that action. Form itself must be appropriated as a material surplus, in order for it to determine the will, and Kantian form is the same as Lacan’s conception of objet petite a, the thing that persists beyond surplus enjoyment. The metaphysical question to both systems of ethics is virtually the same, how can form become matter?

Yet, both Lacanian and Kantian ethics seek to solve the problem of form, or how if Kantian form and Lacanian objet petite a force the subject to follow a sort of second nature, then ethics functions as a drive and isn’t ethics at all. As Zupancic argues, how Lacan dealt with objet petite a, or the surplus enjoyment left over in the domain of the real that persists for the sake of enjoyment is similar to how Kant dealt with the excess of pathology. Since the Kantian object drive is nothing but the drive of the will, and the Lacanain subject’s separation from the pathological objet petite a produces a certain remainder, a remainder that constitutes the drive of the ethical subject, both systems of thought construct ethics from very similar conceptual problems.

We are beginning to see the contours of a Lacanian subject forming that is not rooted in a nightmarish ontological rut as many have criticized Lacan, particularly those that argue his subjectivity is purely a subject constructed from language.

To the contrary, as Ed Pluth has noted in Signifiers and Acts: Freedom in Lacan’s Theory of the Subject, Lacan’s ethics are rooted in a view of freedom of the subject. Importantly, the Lacanian subject can change the destiny of an unconscious desire to the point of “being verbal to the second power” – since “every act of speaking involves an act of addressing an other – always implying a search for recognition from a third party other,” a true ethical act is one that does not address the big Other.

As Pluth observes, “an act does not receive recognition for its identity from an other… it is thus not the subject that acts, an ‘act subjects.’” Thus, the Lacanain subject can never locate the good in the subject, but the subject is able to overturn their lack of capacity to assume their own symbolic identity. The capacity of the subject to overturn their symbolic situation will be examined via Slavoj Žižek and Eric Santner’s reading of the ethics of psychoanalysis.

ethics Ž

Tutt, Daniel. The Object of Proximity: The Ethics of Psychoanalysis in Žižek and Santner via Lacan. American University Also available here danielp.tutt(at)gmail.com

Proximity towards the jouissance of the Other, or the neighbor, in Lacan’s seminar The Ethics of Psychoanalysis becomes a matter of ethical concern because the Other as das Ding (the thing) poses problems outside of the moral relationship. In this paper I will examine the ethical positions of two psychoanalytic theorists, Eric Santner and Slavoj Žižek. The proximity towards the excessive jouissance of the neighbor as das Ding presents a number of interesting ethical problems. Žižek’s confrontation with das Ding is a complex procedure that remains ambiguous, particularly in light of his sympathies towards the Christian Pauline agape version of radical love. Žižek’s treatment of proximity towards the Other seeks a total escape from the fantasmatic symbolic coordinates of the oppressive symbolic order, whereas with Santner, in his text The Psychotheology of Everyday Life, the “mental excess” of jouissance caused by confrontation with the Other as das Ding is sought to be converted into an owning of the excessive proximity into a “blessings of more life.”

This paper first identifies and describes the Lacanian subject – a subject rooted in lack and the crisis of symbolic investiture and argues that Lacanian subjectivity is capable of radical freedom from the fantasmatic symbolic coordinates that sustain its relationship to its own freedom. There are several meta-ethical questions that arise in light of Lacan’s notion of ethics for subjectivity inhabited by fantasmatic symptoms and a symbolic order structured by oppressive fantasy relations. These problems will be explored in this paper as they guide both Žižek’s and Santner’s work, particularly the superego demand to “love thy neighbor as thyself.” The question of politics in relation to the Other for Santner is centered on how to convert the “superego ban” into a blessings of more life.

Whereas with Žižek, the meta-ethical subject ought to be positioned in relation to the Other to enable a radical break from the fantasmatic symbolic coordinates into a new symbolic relationship to the Other, a position highly reminiscent of Antigone’s.

To what extent does Žižek’s ethics reflect Lacan’s sympathies towards Antigone’s reluctance to renounce her fundamental desire? Furthermore, how does Santner in the Psychotheology of Everyday Life position his meta-ethical subject in allegiance to the desire of the Other, and what are the political implications for both of these positions? Admittedly, this is an especially speculative question considering Santner does not deal directly with Lacan’s ethics seminar.

With the rise of the Lacanian left, and a number of texts beginning to identify the relationship between psychoanalysis and politics, we are presented with a powerful critique of the undergirding assumptions behind liberal theory. Perhaps most importantly is the notion that transitive recognition from the Other as the constituting ground of intersubjectivity is inherently blocked by the functioning of desire.

Das Ding and the Impossible Good of the Lacanian Subject

The ethical injunction to “love thy neighbor as thyself” is problematized in Lacan’s seminar The Ethics of Psychoanalysis, as the very core of the intersubjective relation is rooted in an unconscious structural relation to the realm that Lacan refers to as the symbolic. The Lacanian register of the symbolic is an often-difficult concept to unpack. One of the more cogent descriptions of the symbolic is found in popular culture through the example of Woody Allen’s public divorce with Mia Farrow. Allen is said to have dealt with the media in the same hyperactive, idiosyncratic ways as the characters in his films. A traditional psychoanalytic reading of this occurrence would argue that Woody Allen’s actions are merely repressed character traits of his own self put down onto the big screen and then reappearing as a result of a psychical and emotional breakdown. The Lacanian reading would argue something different; that Allen’s incorporation of his symbolic behavior patterns from symbolic art is real life as such. The Lacanian subject is deprived of that which it believes to be the most intimate part of himself, and this happens in the realm of the symbolic.  [ 🙂 Ž makes this point in CHU pg. 250 ]

When faced with the ethical injunction “to love thy neighbor as thyself,” the primary procedure for the multicultural and Judeo-Christian models are to keep at bay the proximity of the neighbor, as the neighbor is inhabited with an uncanny jouissance. To Lacan, one truly encounters the Other not when one discover her values, dreams, and wishes, but when the subject encounters the neighbor as jouissance. As Žižek has suggested, what the predominant liberal multiculturalist model has neglected is this very direct encounter with the “traumatic kernel” of the Other in favor of PC engagement with the “decaffeinated Other.”

“I encounter the other in her moment of jouissance. When I discern in her a tiny detail – a compulsive gesture, an excessive facial gesture – that signals the intensity of the real of jouissance. This encounter is always traumatic, there is something at least minimally obscene about it, I cannot simply integrate it into my universe, there is always a gap separating me from it.”[1]

The postmodern multiculturalist mode of engaging the other, as Zizek has noted, runs along two primary modes, that of the New Age, and the Judeo-Christian, both of which are merely displacing a form of pathos onto an Other that is more authentic, and this ends up causing a sort of inverted racism.

Encountering the Other at the level of das Ding, without depriving that Other of its symbolic jouissance, which the liberal multiculturalist requires, is by definition an exclusivist act by the distance it maintains towards the Other. This distance towards the other is the basis of the ethics of Eric Santner and Slavoj Žižek, but before examining them, we turn to Lacan’s ethical system.

calum Antigone the act part 7

It is as an example of the beautiful that Lacan reads Antigone and, particularly, within the play, Antigone. It is as such that, with Lacan, we find something in the text ‘other than a lesson on morality’.

This is not to claim that Antigone has, for Lacan, no ethical import. It is, after all, in the context of his seminar on the ethics of psychoanalysis that he spends considerable time discussing the play.

It is rather to stress that the ethical import of the play lies not in the moralising arguments it might be understood to put forward, whether these be in the sense of a discourse between competing conceptions of the just or (moral) good or in the sense of an advocation of a position of transgression.

While both these positions are, of course, possible, neither addresses the question of ethics. They remain, rather, on the side of (questions of) the law.

The ethical is by definition a subjective moment, the moment of subjective assumption in response to the lack encountered in the Other and the other.

The ethical, that is, is the moment of assumption of that point which refuses recuperation to an image or to a rule, that point where the Symbolic and the Imaginary break down or break open upon the Real.

In terms of the moral law, the ethical is the point at which the subject assumes upon itself the impossible place of that which would guarantee the law. In terms of the Imaginary, ethics is the response to that in the other which refuses recuperation to a coherent image of identification. To render Antigone or Antigone as an ethical example, or as the ethical example par excellence, is to assume to generalise that which is by definition beyond generalisation.

That is to say, to confer upon Antigone the status of example would be to make of Antigone and her act a rule which might be followed; thou shalt transgress the symbolic. But such an example is clearly not an ethical example at all. The ethical moment would necessarily resist any such generalisation and return in the form of the necessity of the subject assuming upon itself the impetus to follow (or reject) the example.

It is not especially that Antigone or Antigone’s act cannot function as an ethical example. It is rather that the ethical cannot be exemplified without recuperating it to a law. Which is to say, precisely, without rendering it other than ethical.

As beautiful, as that which would simultaneously reflect and lure our desire, Antigone would demand a response. This demand would be the subject’s confrontation with the desire that is in it. That is to say, in its location at and as the limit point of the Real, that at which desire would impossibly aim, the beautiful can be understood to be that which would ask of the subject, ‘Have you acted in conformity with the desire that is in you?’ (Lacan Seminar VII p. 314)

As, that is, that which can simultaneously support and lure desire, that which allows the subject to confront das Ding without it destroying the subject, the beautiful would be that which would allow the subject to confront the desire that is in it and thus begin to name this desire, to bring it into the world.

That is to say, it is precisely insofar as the beautiful allows the possibility of encountering the limit of the Real without subsuming the subject in the Real and thus rendering the subject impossible, that it allows the subject the possibility of both confronting its desire and inscribing its desire in the Symbolic.

It is in this sense that the beautiful would entail a cathartic function. The beautiful would allow the possibility of the purification of desire, not in the sense of allowing the subject to attain and occupy pure desire but in the sense of allowing the subject to experience its desire stripped of the trappings of the Symbolic and Imaginary orders and, significantly, to return to the Symbolic and Imaginary orders, bringing with it ‘a new presence’, something which cannot simply be accommodated as though it had always already been there.

The ethical significance of Antigone lies, therefore, not in Antigone’s act in the sense that her act would function as the quintessential ethical example but, rather,

the ethical significance of the play lies in the manner in which it would relate to the desire of the spectator.

The extent to which we can discuss Antigone’s act at all is the extent to which it has been or is being (re)inscribed in the Symbolic. This should alert us to the ambiguity of the act insofar as it can become a topic for discussion.

Antigone’s act, in the proper Lacanian sense, is her act. It is only available for her. What impacts of Antigone’s act on others is either/both a moment of emergence of the Real and/or a Symbolic recuperation depending on the moment of logical time from which it is perceived.

That is to say, we might discern separate moments in Antigone’s so called act.

  • There would be the moment of incomprehension wherein the act disrupts and cannot be explained.
  • There would also be the moment of comprehension wherein the act is slotted into a framework of explanation – e.g. Antigone promotes an alternative discourse on what is just, Antigone constitutes the revolutionary stance par excellence precisely because she promotes no discourse on justice at all but is understood to have introduced a moment of radical disruption for the social weave of Thebes.

Neither of these perspectives, however, can be adequate to the act as it is assumed by Antigone, if it is in fact an act at all.

Given that she is never more than a fictional character, one might be justified in pointing out that ‘she’ cannot assume anything. The pertinent ethical question in Antigone is how we, the audience, the spectator, the reader, respond to the play and respond beyond the play.

The only true act in Antigone is precisely not in Antigone, it is in response to Antigone.

calum Lacan’s Antigone part 6

Neill, Calum. “An Idiotic Act: On the Non-Example of Antigone.” The Letter , 34, 2005, 1-28.

For Lacan, the significance of Antigone lies precisely in its ability to convey the limit point which would mark the intersection of the realms of the Symbolic, the Imaginary and the Real.

It is crucial to acknowledge here that this limit point does entail but cannot be reduced to the limit of the Symbolic. To so reduce the limit point to the gap where the Symbolic opens onto the Real, to, that is, occlude the Imaginary, results in those notions of the play as a contest or opposition between different approaches to the law or convention, whether this be in the sense of two
competing conceptions of justice (Hegel) or between two competing approaches to the law, that is to say, between fidelity to and transgression of the law (Žižek).

While such approaches are not without significant insights, it is only in reinstating the imaginary dimension that we can really begin to appreciate the ethical, as opposed to moral-juridical, significance of the play.

Those readings which would emphasise exclusively the rent in the Symbolic cannot but render the play a discourse on law to the exclusion of the ethical. As such, the so-called ethical example of Antigone cannot but falter. Where there is no ethics, where
ethics is foreclosed, there can be no example of the ethical. It is only in reintroducing the imaginary dimension that the ethical import of the play can be brought to light.

It will, however, be brought to light in a manner which directly occludes the possibility of commandeering it as an  example. That is to say, through Lacan’s reading of Antigone we can begin to appreciate that the ethical avails itself of no examples.

For Lacan the figure of the other necessarily entails the correlation of the Symbolic, the Imaginary and the Real. The encounter with the other, that is, can be reduced to neither the dimension of the Symbolic nor the Imaginary but rather, insofar as it entails both, it indicates the limit point where they would open onto the Real.

That is to say, there is imaginary identification and there is symbolic comprehension, there is an overlap wherein imaginary identification would partake of a minimum of symbolic ordering and, beyond this, something insists which would refuse any such recuperation.

This would be the limit point of das Ding and, for Lacan, ‘[i]t is around this image of the limit that the whole play turns’. The image of the limit is dispersed so thoroughly through the play that it, quite literally, cannot be contained. It cannot, that is, be recuperated to a straightforward symbolisation. The play, in this sense, demonstrates the insistence of the limit without itself becoming a self-contained discourse on the limit.

One example of the functioning of the limit in the play would be the sentence passed on Antigone, that she is to be entombed alive. Not only is the sentence itself to place Antigone in the realm between life and death – she is to be placed in a chamber reserved for the dead while still alive, she is to be made to experience that whichwould be the reserve of the already dead before she is dead – but, in addition, the passing of the sentence itself already situates her in a living relation to death such that her anticipation of certain death must be borne while she still lives. Hers is a ‘situation or fate of a life that is about to turn into
certain death, a death lived by anticipation, a death that crosses over into the sphere of life, a life that moves into the realm of death
’.

What makes the character of Antigone exceptional within the play is that she is presented as that which would be situated, impossibly, on the other side of the limit, in the realm of the Real. It is in this sense that Antigone comes to figure as or is raised to the status of das Ding. This is to say, in Lacan’s terms, that Antigone is presented as ‘inhuman’. This is not, however, to situate her as something monstrous or abhorrent.

It is precisely insofar as Antigone cannot be situated, cannot be recuperated to a fixed idea that she functions for Lacan as the beautiful. It is important here to grasp that the notion of ‘beauty’ is not meant to refer to any convention, any delimited conception of (what would count as) physical or idealised beauty. Beauty cannot be captured in an image as such.

Beauty, for Lacan, is rather a function and to speak, then, of Antigone’s beauty is to relate something of her function. That is to say, what is important in the character of Antigone is how she functions in relation to desire. Not, that is, how Antigone functions in relation to her desire but rather how Antigone, as beauty, functions in relation to the desire of the one who watches her. In relation, that is, to the desire of the spectator.

In its status as limit point, the beautiful is that which would split desire, or in the terminology of later Lacan, that which would render the separation and, at the point of separation, the conjunction of desire and the drive.

Desire is that which defines the subject in relation to lack. Desire, as such, cannot attain satisfaction.

The drive, on the contrary, is that which maintains satisfaction through continuously circulating its object. The beautiful is that which would encompass both such points, thus, simultaneously reflecting the drive and allowing it to continue on its route and maintaining desire as unsatisfied. There is thus in the object of beauty both a moment of transfixion and a moment of satisfaction.

If the object of beauty were capable of entirely satisfying desire it would be destructive of the subject but if it were incapable of providing satisfaction, it would lose its attraction.

It is this conjunction of seemingly incommensurate characteristics which sets the beautiful apart.

calum on Ž the Other part 5

Neill, Calum. “An Idiotic Act: On the Non-Example of Antigone.” The Letter , 34, 2005, 1-28.

The Symbolic order is necessarily experienced by the subject as Other, as an Other of which there is available no objective and totalising conception. That is to say, the Symbolic as Other figures only insofar as it figures in relation to the subject who would encounter it. The Symbolic order is a structural condition which, as it manifests for and in relation to the subject, can only be seen to exist insofar as it exists for that subject.

Conjoined with this, the Symbolic would be the field in which the subject would assume its constitution and, thus, from which it would retroactively posit its emergence. While, then, the Symbolic and the subject obviously cannot be reduced to (aspects of) one another, neither can they, in this context, be separated from one another.

The conception of the act as a reconfiguration of the Symbolic would then have to figure as a subjective undertaking. In terms of Antigone’s act, the act would not only be Antigone’s in the sense that she performs it but it would be hers in the sense that it is performed in relation to the Symbolic order as it manifests for her. This would be to acknowledge that the act can only be experienced by the subject. But even in order for the subject to be understood to have experienced the act or to have experienced itself as acting this would necessitate the act’s (re)inscription in the Symbolic.

The act, as coterminous with the assumption of subjectivity, is necessarily pulsational. One cannot (permanently) occupy the act.

We should perhaps remember here Lacan’s claim from Television that ‘Suicide is the only act which can succeed without misfiring’. Suicide would be such an act precisely because it is not, from the subjective perspective, reinscribed in the Symbolic.

There is in suicide no continuation, no possibility of recuperation by or to the Symbolic but also, quite clearly, no possibility of subjectivity either. That suicide is the only act which can succeed without misfiring is not to advocate suicide, it is, rather, to recognise the impossibility of other acts not misfiring. Suicide is the only act which would not entail a recuperation to the Symbolic by the subject who would have committed it.

The point remains here, however, even acknowledging this subjective relation to the Other , that any act at all, in Žižek’s understanding of it, might figure as ethical even if this means that it only figures as ethical for the particular subject who has acted. Which is precisely to say that there is available no means to differentiate the ethical from the unethical. To paraphrase Simon Critchley’s question concerning Badiou’s notion of the event, and there does appear to be some theoretical resemblance between Žižek’s ‘act’ and Badiou’s ‘event’, how and in virtue of what is one to distinguish an ethical act from a non-ethical act?

Invoking Kant, Žižek represents the ‘proper ethical act’ as ‘doubly
formal: not only does it obey the universal form of law, but this universal form is also its sole motive’. 45

Moreover, the proper ethical act is inherently transgressive. It is not merely a matter of allegiance to a universal duty without pathological motives but it is an allegiance to a form of action which will redefine the very form of the prior conception of what would constitute the good, the norm, the Symbolic order. Žižek’s ‘moral law does not follow the Good – it generates a new shape of what counts as ‘Good’’. The proper ethical act is then, for Žižek, not so much defined by its irrational nature but is that which would institute a new conception or criteria for what counts as rational at all. Nothing which precedes an act is adequate to the task of judging the act.

As Žižek himself makes clear, the act is radically distinguished from ‘a simple criminal violation’. This, not because the act is necessarily a violation without pathological intent or because the act is a violation in the name of a competing conception of right or justice but precisely because the act entails the assumption of cause by the subject without illusory appeal to some other (or Other) foundation for action. It is in this sense that the act would be properly described as a suspension of the Other.

The act is located at the limits of the authority of the Other, the act is the point of subjective intervention without appeal to an Other authority.

The Other, as we have seen, can be understood as coterminous with the Symbolic order insofar as it manifests as a subjective experience. The Other, that is, is the Symbolic order as it is, and with the specificity with which it is, encountered by the subject.

Das Ding is that which cannot be recuperated to either the Symbolic order or to the Imaginary order. It is that of the Real which would insist at the limits of subjective experience. It is, in the context of ‘intersubjectivity’, that of the other which cannot be accommodated to a point of recognition, that in the other which can neither form an aspect of identity nor be reduced to a point of signification. It is also, then, that in and of the subject which can neither be reduced to imaginary identification nor recuperated to a system of signification.

What Žižek characterises as the insistence of ‘the Other-Thing’ would be more accurately described as that in any encounter which cannot be recuperated to a totalising comprehension. It is the insistence of this Thing which cannot adequately be accommodated which would be indicative of the lack in both the other and the Other.

In the encounter with the Other, the Other is experienced as demanding of the subject. It is such a demand which would be indicative of das Ding, insofar as das Ding might be that which would satisfy this demand. In this sense, das Ding can be understood to be a name for that which the Other is experienced as lacking.

It is clear then that, as Žižek appears to acknowledge, there is no possible correlation between the (particular) insistence of the subject and das Ding. If there were, then this would be to simultaneously ‘solve’ the lack in the Other and the lack in the subject.

Which would be to say that there is no subject and no Other for the subject. There would be, that is, no Symbolic order in which the act could be (re)inscribed.

The act should rather be understood as the subject’s always inadequate response to the Other (and the other).

The act is the moment of production of something in response to the other and the Other, precisely in the sense that that something is not the Thing, is not adequate to das Ding. The act would be the moment of subjective assumption, the moment of the subject’s causing its desire to come forth.

But such desire is never something which would be ‘entirely given’,  it is something which must be brought into the world anew. Insofar as the subject’s act is to be understood, it must be reinscribed in the Symbolic and, in being so inscribed, it does necessarily alter the Symbolic. It is in this sense that, as Žižek correctly notes, the act is a creatio ex nihilo.

It is in the act that ‘the subject creates, brings forth, a new presence in the world’.

It must however by emphasised that it, the act, is commensurate with the moment of subjective assumption.

That is, that the act is the act for the subject who would have constituted itself in the act.

Or, phrased otherwise, the act is the subjective moment of assumption and is thus only experienced as such by the subject.

This is not to argue that Antigone is a non-ethical example.

It is rather to emphasise that the very concept of an ethical example is nonsensical.

The ethical consists in the moment of assumption of and as the cause of one’s existence as subject. It is availed of no exterior support or justification.

calum on Ž part 4

Neill, Calum. “An Idiotic Act: On the Non-Example of Antigone.” The Letter , 34, 2005, 1-28.

A ‘truth’ which is clearly, then, not ‘true’ in the Platonic sense of corresponding to some perpetual higher order but is rather ‘true’ in the sense of the moment of a pure creation which would ‘expose’ the conventions of knowledge to be inadequate and force their reconfiguration. For Žižek, the act would be such a truth insofar as the act
would be that which would resist and refuse recuperation to the preexistent symbolic matrix.

Where something like a speech act would, by definition, rely ‘for its performative power on the pre-established set of symbolic rules and/or norms’, the Žižekian act would signal a break with any preestablished or given order.

(quoting from The Ticklish Subject)…  Žižek emphasises Antigone’s willingness to risk her ‘entire social existence’, her defiance of the ‘social-symbolic power of the City embodied in the ruler (Creon)’. Through so doing, Antigone could be understood to have entered the realm of ‘symbolic death’, that is to say, she can be understood to have situated herself outside the symbolic space of what was, previously, her society. For Žižek, such a moment of self-expulsion is tantamount to a ‘suspension of the big Other’, a radical break with and from the Symbolic order.

Žižek and Butler

In order to emphasise and clarify this radical character of the act, the fact that the act should be radically divorced from the Symbolic, that it should be envisaged as irrecuperable to the Symbolic, Žižek contrasts it with what he terms the performative ‘staging’ of revolt, or ‘performative reconfiguration’ 39 of the Symbolic order. Such performative reconfiguration would be exemplified in the position taken by Judith Butler in The Psychic Life of Power where she discusses the possibilities of subjective ‘resistance to given forms of social reality’.  In The Ticklish Subject Žižek responds to Butler’s advocation of forms of resistance which would successfully reconfigure and thus, contingently at least, offer the potential of ameliorating one’s social condition(s), warning against the illusion of assuming to have successfully challenged from within that which is always already in a position to recuperate any such challenge. The distinction here, for Žižek, is that between a reconfiguration which would maintain the terms of the Symbolic and a reconfiguration which would transform the very contours of the Symbolic and thus the terms in which the reconfiguration might be understood.41

Žižek’s point can perhaps be illustrated in the common-place notion of reverse discrimination where the very points of discrimination are precisely upheld in the process of their supposedly politically correct reversal. Some negative aspects of discrimination against ‘the disabled’, for example, may be addressed through the implementation of quotas for the employment of a certain percentage of ‘disabled’ workers but such regulation cannot but uphold the demarcation of certain people as ‘disabled’ and potentially stigmatised and maintain the significance of factors otherwise deemed ‘irrelevant’ to the criteria of employment or ability to ‘do the job’.

A position like Butler’s entails, for Žižek, both an overestimation of the effectivity of ‘performative reconfiguration’ and an underestimation of the potential for the more thoroughgoing revolt which would be exemplified in the character and act of Antigone.

For Žižek, it seems, it is this thoroughgoing rupturing status of the act with regard to the Symbolic, the impossibility of situating the act in or recuperating the act to the Symbolic which renders it ethical.

What, however, are we to make of Žižek’s insistence on the act as irrecuperable to the Symbolic? In the distinction that he puts forward between performative reconfiguration and absolute reconfiguration, one might be justified in asking how the latter might be possible. Clearly here Žižek is not suggesting that everything of the Symbolic is razed. He is not suggesting, for example, that the Greek spoken in Thebes would cease to be spoken after Antigone’s act. He appears, rather, to be suggesting that the meaning of the symbolic or social edifice is unavoidably altered.

calum on Ž the act derrida part 3

Neill, Calum. “An Idiotic Act: On the Non-Example of Antigone.” The Letter , 34, 2005, 1-28.

Knowledge, for Derrida, is an indispensable prerequisite for the decision and, subsequently, for the assumption of responsibility but the decision cannot itself be reduced to knowledge without this rendering it ‘less’ than decisive, rendering it, that is, in the realm of pure calculation. On the other hand, without knowledge, there remains no possibility of responsibility insofar as responsibility would entail a context, a conception of that for and towards which one would be responsible and how.

Responsibility thus figures and can only arise between the closed automaticity of the system of knowledge and the ‘meaninglessness’ that would be beyond any systematisation.

Without exceeding knowledge, the decision is but a part of knowledge and thus not of the subject. Without returning to knowledge, the decision has no sense; it is purely arbitrary.

Is not this notion of the decision commensurate with the notion of the ethical in Lacan, with the notion of the ethical act as that which can appeal to no guarantor in the Other, as that which by definition takes place at the limits of the Symbolic order, as that which cannot be reduced to the law and yet, at the same time, must be inscribed in the Symbolic order? Is this not commensurate with the notion of the ethical as a pulsational moment which emerges from but must also assume a place in the Symbolic?

Neill’s Argument

Contra Žižek’s notion of the act which must be located absolutely beyond the Symbolic order, both Derrida’s ‘decision’ and Lacan’s ‘act’ are such that, in order to be understood as ethical, they must entail a moment of (re)inscription in the order of the comprehensible, or, for Derrida, knowledge, and for Lacan, the Symbolic.

That is to say, in insisting on the exclusivity of what he terms identification with the ‘Other-Thing’ as the defining moment of the act, Žižek might be understood to precisely
occlude the ethical potential from the act.

Returning to Antigone, if, in Žižek’s terms, her act is possible because of ‘the direct identification of her particular/determinate decision with the Other’s (Thing’s) injunction/call’, 26 then it is difficult to see in what sense such an act might be considered ethical.

It is, however, for Žižek, precisely this exclusivity, the radical suspension of the Other without recourse to a further moment of reinscription which does render the act ethical.

Antigone figures here, as we have noted, as the paramount example of the act as a moment of absolute suspension. Antigone, for Žižek, ‘does not merely relate to the Other-Thing, she – for a brief, passing moment of, precisely, decision – directly is the Thing, thus excluding herself from the community regulated by the intermediate agency of symbolic regulations’.27

It is in so excluding herself from the community, in situating herself beyond the regulations of the Symbolic order, that Antigone can be understood, for Žižek, to have engaged in a proper act, precisely because the act, for Žižek, is not simply ‘beyond the reality principle’ in the sense that it would be the engagement of a performative reconfiguration of reality, of, that is, the Symbolic.

Rather, the act is that which would ‘change the very co-ordinates of the “reality principle’’. This is not to suggest that for Žižek the act entails performing the impossible.

Žižek’s point concerns the very structuration of what would be considered (im)possible in the first place. The radical character of the act lies in the fact that it would be that which alters the very contours of what would be considered possible.

Or in moral terms, it would not be that which would challenge the received notion of the good but rather it would be that which would redefine what might be considered as good.

calum on Ž the act part 2

Neill, Calum. “An Idiotic Act: On the Non-Example of Antigone.” The Letter , 34, 2005, 1-28.

Calum says an act needs to be inscribed it in the Symbolic:

The judgement to act, that it is necessary or desirable to act, necessarily entails the judgement that acting in this way is preferable to acting in another way; for example, by doing nothing. In so judging, the subject is by necessity creating a new norm, regardless of how contingent or particular such a norm may be. In judging, then, the subject must both inscribe its judgement, its choice, in the Symbolic and assume utterly the weight of this judgement or choice. That is to say, the act, insofar as it is to be considered ethical, necessarily entails the assumption of responsibility in the field of the Other.

Yo Derrida

Politics of Friendship
In this sense, Derrida’s notion of ‘the other’s decision in me’ is actually closer to Lacan’s act than Žižek would have us believe. [cites Stavrakakis 2003 in Umbra)

In Derrida’s discussion of the decision in Politics of Friendship, the emphasis is on the incommensurability of the decision to any traditional notion of subjective agency and the related notion of responsibility.

Derrida’s point is that a decision, in the classical sense of dêcaedêre, a cut, a break, and thus an absolute decision as opposed to a mere calculation which would unfurl on the basis of a prescription, is still necessarily understood in a context.

This is precisely not to say that the decision is reducible to its context, which would be to rejoin to the logic of a calculation. The decision must, rather, be seen as breaking from the context which would precede it and be reinscribed in a context which would then be distinct from that which preceded it. It is the moment of responsibility here which would render the decision ethical and distinct from a mere occurrence or behaviour.

It is the reinscription of the decision in the realm of comprehension which allows the subject to assume responsibility.

In contrast to a traditional notion of subjective agency, a subjectivity which, in Derrida’s understanding, would be closed in on itself and thus incapable of responsibility, ‘a subject to whom nothing can happen, not even the singular event for which he believes to have taken and kept the initiative’, Derrida posits the notion of the decision as signifying ‘in me the other who decides and rends’.21

The passive decision, condition of the event, is always in me, structurally, another event, a rending decision as the decision of the other. Of the absolute other in me, the other as the absolute that decides on me in me. Absolutely singular in principle, according to its most traditional concept, the decision is not only always exceptional, it makes an exception for/of me. In me. I decide, I make up my mind in all sovereignty – this would mean: the other than myself, the me as other and other than myself, he makes or I make an exception of the same. This normal exception, the supposed norm of all decision, exonerates from no responsibility. Responsible for myself before the other, I am first of all and also responsible for the other before the other.22

We might understand Derrida here as indicating that there is that in the subject which is irrecuperable to any sense of self-identity, that which would escape the ‘monadology’ of the ego; the subject, that is, as inadequate to itself. The decision reduced to a moment of self-sufficiency of the subject would not be a decision in the traditional sense at all but would rather be contained as a moment of calculation, inextricable from the ‘calculable permanence (which would) make every decision an accident which leaves the subject unchanged and indifferent‘.23 It is in contrast to this that the notion of the other’s decision in me figures as the impossibility of self-identity, the rupture in the subject which can neither be contained nor recuperated. It is precisely from such a notion that Derrida adduces the possibility of responsibility.

Responsibility cannot remain responsibility when it is immersed in the pre-given. If subjectivity is closed upon itself, then responsibility cannot lie with the subject. The weight of the occurrence would rather remain with that system or field of understanding of which the calculation would be a moment. It is in response to the other, to ‘the other in me’ that responsibility becomes a possibility precisely because such a response cannot be contained within a pre-given system of knowledge.

To give in the name of, to give to the name of, the other is what frees responsibility from knowledge – that is, what brings responsibility unto itself, if there ever is such a thing.24

This is not, for Derrida, to separate responsibility in any absolute sense from knowledge, it is not to say that responsibility has nothing to do with knowledge. It is rather to point to the fact that, in the decision, as an ethical possibility, responsibility is impossible if the decision is reduced without remainder to knowledge.

…one must certainly know, one must know it, knowledge is necessary if one is to assume responsibility, but the decisive or deciding moment of responsibility supposes a leap by which an act takes off, ceasing in that instant to follow the consequence of what is – that is, of that which can be determined by science or consciousness – and thereby frees itself (this is what is called freedom), by the act of its act, of what is therefore heterogeneous to it, that is, knowledge.

In sum, a decision is unconscious.25

calum on Ž the act part 1

Neill, Calum. “An Idiotic Act: On the Non-Example of Antigone.” The Letter , 34, 2005, 1-28.

J. Lacan. The Seminar of Jacques Lacan. Ed. J.A. Miller. Book VII. The Ethics of Psychoanalysis 1959-1960. Trans. D. Porter. London, Routledge, (1986) 1992.
S. Žižek. Did Somebody Say Totalitarianism? London, Verso, 2001.
J. Lacan. The Seminar of Jacques Lacan. Ed. J.A. Miller. Book XI. The Four Fundamental Concepts of Psychoanalysis. Trans. A. Sheridan. London, Penguin, (1973) 1977.
J. Lacan. The Seminar of Jacques Lacan. Ed. J.A. Miller. Book II. The Ego in Freud’s Theory and in the Technique of Psychoanalysis, 1954-55. Trans. S. Tomaselli., New York, Norton, (1978) 1988.
J. Lacan. The Seminar of Jacques Lacan. Ed. J.A. Miller. Book VII. The Ethics of Psychoanalysis 1959-1960. Trans. D. Porter. 1992. London, Routledge, 1986,

The term ‘act’, in Lacanian theory, is differentiated from the sense of “mere behaviour” by the location and persistence of desire. This is to say that the act is necessarily a subjective undertaking and that it can be understood to be coterminous with the assumption of subjectivity and the responsibility entailed in such an assumption,the Freudian Wo Es war, soll Ich werden.

Where behaviour would describe the response to needs, for example, the act is defined by the impetus of desire. Desire makes the subject act and as such the weight of responsibility for the act committed lies with the subject. Desire cannot be treated as a given which would determine the subject’s act without the subject’s volition. The very subjectivity which would be taken to act cannot be described without the manifestation of desire which would allow its constitution. But such desire must always be particular to the subject; it is the subject’s desire. The act would be the moment of subjective assumption in which the desire which is in one is manifest and thus brought into existence. The act in this sense should be understood to be coterminous with the emergence of desire; the act is desire made manifest. It is in this sense that the Lacanian act is always, necessarily, idiotic, in the etymological sense, wherein idios would designate ‘one’s own’.

There is in the act, says Lacan, always ‘an element of structure, by the fact of concerning a real that is not self-evidently caught up in it’. This would appear to correspond to the structure we encounter in Antigone. The laws of the gods ‘speak’ from beyond, that is, on the side of the Real. Which is, of course, to say they do not in fact speak at all. They are manifest in Antigone and given expression through her act in such a way that ‘it isn’t a question of recognising something which would be entirely given, ready to be coapted’. In giving voice to the law of the gods, Antigone should be understood to have created and brought forth ‘a new presence in the world’. She should, that is, be understood to have named her desire and, moreover, assumed herself as the cause of this desire.

For Žižek, Antigone functions as the ethical example par excellence insofar as she is understood to ‘exemplify the unconditional fidelity to the Otherness of the Thing that disrupts the entire social edifice’.

Capitalising the ‘O’ of ‘Other’ in the ‘Otherness of the Thing’, Žižek can be understood to be emphasising the Thing, das Ding, as it relates to the field of the Symbolic. That is to say, das Ding as it would represent the limits of the Symbolic field, das Ding as indicative of the insistence of the lack in the Other as it is experienced by the subject. It is, as such, that das Ding would be understood as (a name for) that which would disrupt ‘the entire social edifice’.

The act, for Žižek, describes the moment of suspension of the Symbolic, the recognition of the limits of the Symbolic. In such a moment of recognition it is not that the Other would somehow be suspended to be subsequently resolved as a moment of a dialectic or integrated into a subsequent schemata. The act, for Žižek, is not a moment of Aufhebung.

Rather, in the Žižekian act, one would assume the very location of the lack which persists in the Other:“it is not so much that, in the act, I ‘sublate’/‘integrate’ the Other; it is rather that, in the act, I directly ‘am’ the Other-Thing.”

For Žižek, the ethical import of the act, (and the act is for Žižek the very definition of the ethical moment), is separated from any notion of responsibility for or towards the other. His is not an ethics of responsibility but, rather, his understanding of ethics is as the momentary and, in the moment, absolute suspension of the Symbolic order. The ethical act, for Žižek, is neither a response to the other nor a response to the Other.

The (ethical) act proper is precisely neither a response to the compassionate plea of my neighbourly semblant (the stuff of sentimental humanism), nor a response to the unfathomable Other’s call.11

Žižek contrasts this notion of the ‘ethical act’ as assumption of the lack in the Other, as the assumption of the location of das Ding, with the Derridean notion of ethics as decision. A notion described by Critchley as follows:

the political decision is made ex nihilo, and is not deduced or read off from a pre-given conception of justice or the moral law, as in Habermas, say, and yet it is not arbitrary. It is the demand provoked by the other’s decision in me that calls forth political invention, that provokes me into inventing a norm and taking a decision. The singularity of the context in which the demand arises provokes an act of invention whose criterion is universal.

Žižek perceives in this passage, and by extension, in the Derridean original, ‘two levels of the decision’.13 It is with this bifurcation of the decision that Žižek takes issue. The decision, understood as the act, would, for Žižek, have to be such that the two moments of decision he perceives in Derrida’s and Critchley’s accounts would coincide. Here, Antigone is offered as the paramount example.11

Is it not, rather, that her decision (to insist unconditionally on a proper funeral for her brother) is precisely an absolute decision in which the two dimensions of decision overlap?14

Žižek’s point here is that separating the decision into two moments, into, that is, the ‘decision to decide’ and ‘a concrete actual intervention’, is to render the decision or the act as non-absolute. That is, it is to render the act as less than an act.

The act, for Žižek, as we have seen, is situated in the moment of suspension of the Other, what he terms directly ‘being’ the ‘Other-Thing’,  the assumption by the subject of the irrecuperable rent in the social edifice.

To incorporate as a necessary aspect of the act its reinscription in the Symbolic is, for Žižek, to miss the radicality of the act.

The question which insists here is that, in divorcing the act from any reinscription in the symbolic, is not one necessarily, from a Lacanian perspective at least, rendering the act as the impossibility of the ethical?

That is to say, Žižek’s deployment of the ‘act’ appears closer to what Lacan designates as passage à l’acte, an action in which one takes flight from the Other, an action which would properly entail the, albeit momentary, dissolution of the subject and consequent impossibility of the ethical.

Phrased otherwise, the act so divorced from its reinscription is not party to a judgement which, in Lacan’s understanding, would define the ethical;

an ethics essentially consists in a judgement of our actions, with the proviso that it is only significant if the action implied by it also contains within it, or is supposed to contain, a judgement, even if it is only implicit. The presence of judgement in both sides is essential to the structure.

tim dean

Žižek, Slavoj. Violence

[H]uman communication in its most basic, constitutive dimension does not involve a space of egalitarian intersubjectivity. It is not ‘balanced’. It does not put the participants in symmetric mutually responsible positions where they all have to follow the same rules and justify their claims with reasons. On the contrary, what Lacan indicates with his notion of the discourse of the Master as the first (inaugural, constitutive) form of discourse is that every concrete, ‘really existing’ space of discourse is ultimately grounded in a violent imposition of a Master-Signifier which is strico sensu ‘irrational’: it cannot be further grounded in reasons. It is the point at which one can only say that ‘the buck stops here’; a point at which, in order to stop the endless regress, somebody has to say, ‘It is so because I say it is so!” Here, Levinas was right to emphasise the fundamentally asymmetcial character of intersubjectivity: there is never a balanced reciprocity in my encountering another subject.. the appearance of égalité is always discursively sustained by an asymmetric axis of master versus servant, of the bearer of university knowledge versus its object, of a pervert versus a hysteric, and so on. This, of course, runs against the predominant ideological approach to the topic of violence which understands it as ‘spontaneous’ … 53

page 55: This is why language itself, the very mdedium of non-violence, of mutural recognition, involves unconditional violence. IN other words, it is language itself which pushes our desire beyond proper limits, transforming it into a ‘desire that contains the infinite’, elevating it into an absolute striving that cannot ever by satisfied. What Lacan calls objet petit a is precisely this ethereal ‘undead’ object, the surplus object that causes desire in its excessive and derailing aspect. One cannot get rid of excess: it is consubstantial with human desire as such.

Dean, Tim. Beyond Sexuality. Chicago: University of Chicago Press. 2000.

I like where he’s going with the real, only that he’s taking his time getting there. Oh my god can this guy talk. His writing is ok, but you get the impression that he has a lot to say and has trouble ‘filtering’.

The problem with the idea of the intersubjective dialectic is, as Lacan noted of Hegel, that intersubjectivity remains at the limit of anthropology, in which the other always retains the staus of subject. Thus intersubjective relations are, in principle if not in practice, symmetrical and reversible. But when Lacan reconceives the subject-other relation as a subject-Other relation, he insists that there cannot be an Other of the Other, since the Other’s conceptual value — as it accumulated throughout the 1950s — is that it is strictly divested of subjective status. The subject-Other relation, which describes a fully symbolic subject, is definitively asymmetrical. 43

[Lacan’s] early conception of [desire] as “desire of the other” maintains desire within a Kojève-Hegelian intersubjective dialectic, in which it is impossible not to reduce desire — and fantasy — to imaginary scenarios. … In Hegel desire is the desire for recognition, a desire for the other to ratify my existence by means of affirmation; thus insofar as the imaginary is ordered by recognitions and especially by misrecognitions (méconnaissances), this Hegelian persepecive reduces desire to the imaginary level. 44

His subsequent account of desire as an unconscious effect of the cause he names OBJECTA. At his moment in Lacan’s thinking, his notion of the object as something that can never appear in the mirror —and which therefore remains heterogeneous to the imaginary register — has not yet emerged. 45

Lacan’s theory of desire is later detached from the category of the imaginary other as a causal explanation and resituated as an effect of language.

Since it is primarily the phallus’s imaginary attributes that permit it to represent the signifier of signifiers, we must deduce that it is purely conventional and therefore, in the final analysis, arbitrary that the phallus should hold any indisputable priority in relation to the symbolic order’s exigencies. Though Lacan never relinquished the phallus as a concept, his theory of OBJECTA makes clear that desire has multiple causes, many of which have no relation whatsoever to gender or sexual difference. Rather than trying to purify the phallus of its imaginary residue or, alternatively, showing the impossibility of any such purification, I want to suggest that the phallus as Lacan’s model for the causal principle of desire may be bracketed once the full significance of OBJECTA comes into view. Such an appreciation enables us to move beyond interminable and increasingly sterile debates over the phallogocentric biases of Lacan’s account of the phallus toward a more interesting “1960s Lacan” of the object.

Desire is predicated on the incommensurability of body and subject. 200

THINKING SEXUALITY OUTSIDE THE TERMS OF GENDER

… in the end Freud’s contention that we’ve all made a homosexual object-choice (whether we know it or not) doesn’t go far enough, because his notion of object-choice remains trapped within the terms of gender. The very possibility of describing object-choice as homosexual or heterosexual takes for granted that the object chosen is genderred and that — no matter how partial or fragmented the obejct may be — it’s somehow identifiable as masculine or feminine. In contrast, Lacan’s concept of OBJECTa radically revises the Freudian notion of object-choice by leaving gender behind, in a move whose far-reaching implications I wish to delineate. 219

Thus for Lacan sexuality is explicable in terms of neither nature NOR nurture, since the unconscious cannot be considered biological — it isn’t part of my body and yet it sin’t exactly culturally constructed either. Instead, the unconscious may be grasped as an index of how both biology and culture FAIL to determine subjectivity and sexual desire. Thinking of the unconscious as neither biological nor cultural allows us to distinguish (among other things) a properly psychoanalytic from a merely psychological notion of the unconsicous.
… Lacan’s account of sexuality remains unassimilable to the nature (Simon LeVay The Sexual Brain)/nurture debate, essentialists and social constructionists [Hello Judith Butler].

By describing sexuality in terms of unconscious desire, I wish to separate sexual orientation from questions of identity and of gender roles, practices, and performances, since it is by conceiving sexualty outside the terms of gender AND identity that we can most thoroughly deheterosexualize desire. 221-222

Thus although historicism shares with psychoanalysis the view that identities are essentially illusory, historicism resorts to the empiricist solution of investigating discrete social and cultural practices, whereas psychoanalysis focuseds on what, though not exactly illusory, nevertheless resists empirical verification, namely, FANTASY. 224

… Lacan helps to distinguish a psychoanalytic from a more psychological notion of the unconscious as denoting interiority, depth, or the repsitory of drives and complexes. If we think of the real in light of the PSYCHOANALYTIC unconscious, we will see more clearly how the real is connected with —indeed remins inseparable from— sexuality. 231

The paradox of human sexuality, according to Freud, consist in its diphasic emergence: its initial efflorescence in childhood, prior to maturation of the sexaul organs, is succeeded by a period of latency before sexuality reemerges alongside, yet forever out of synch with, organic changes in the body. Freud’s claim on behalf of infantile sexuality entail recognizing that sex comes before one is ready for it — either physically or psychically. In the case of children it seems relatively clear what being physically unprepared for sex means; psychically it means that the human infant encounters sexual impulses — its own as well as other people’s — as alien, unmasterable, unassimilable to its fledgling ego, and hence ultimately traumatic. As a consequence of this capacity to disorganize the ego or coherent self, sexuality bcomes part of the UNCONSCIOUS; and it is owing to this subjectively traumatic origin that Lacan aligns sex with the order of the real.
The real — like trauma — is what resists assimilation to any imaginary or symbolic universe. Another way of putting this would be to say that the premature emergence of sexuality in humans — its original noncoincidence with biology — splits sexuality off from reality and reassigns it to the domain of FANTASY. In so doing, human sexuality is constituted as ireemediably PERVERSE. 231-232

In Freud’s theory of sexualty, perversion doesn’t represent a detour or falling away fromthe norm, as it does in the prepsychoanalytic, theological conception of perversion. Instead, for Freud the reverse is true: perversion is primary, rather than a secondary deviation. In the form of polymorphous infantile sexuality, perversion PRECEDES the norm, and therefore normal sexuality — that is, reproductive genital heterosexuality — represents a deviation or falling away from perversion. To specify this relation more precisely, perhaps we could say that within the Freudian dialectic of sexuality, the norm SUBLATES perversion, ostensibly superseding but never actually eliminating it. 235

What homosexuality expresses —indirectly and in popular form— is desire’s disquieting disregard for gender and for persons. … DESIRE’S OBJECTS REMAIN ESSENTIALLY CONTINGENT. BUT WHEN HOMOSEXUALITY BECOMES THE BASIS FOR AN IDENTITY, THIS CONTINGENT RELATION BETWEEN DESIRE AND ITS OBJECTS VANISHES. … “Homosexual desire is perverse in the Freudian sense, i.e. it is simply an-Oedipal, as long as it expresses the disorganisation of the component drives. It becomes neurotically perverse in the ordinary sense when it relates to a face, when it enters the speher of the ego and the imaginary.” … THIS QUESTION CONCERNS HOW WE MAY CONCEIVE OF DESIRE AS NOT RELATING “TO A FACE”: HOW CAN WE DEPERSONIFY OR IMPERSONALIZE DESIRE SO AS TO RETAIN ITS ORGINARY PERVERSE FORCE WITHOUT SIMPLY PLUNGING INTO SEXUAL ANARCHY? 239

*****
How can we INHIBIT the prosopopoeia —the face-making trope— that accompanies libidinal investments while still honoring the other’s alterity? 239
******
Hocquenghem speaks not of “depersonifying” or “impersonalizing” desire but, more austerely, of its DEHUMANIZATION: “The sexualisation of the world herealded by the gay movement pushes capitalist decoding to the limit and corresponds to teh disolution of the human; from this point of view the gay movement undertakes the necessary dehumanisation.” 240

Thus we might say that man is unmanned in antihumanist philosophy, finding himself no longer master of his world since no longer master of himself. The principal name psychoanalysis gives to this loss of mastery or decentering of the human is THE UNCONSCIOUS. From this it follows that we may nuance the potentially misleading terms “antihumanism” and “dehumanization” by substituting for them DE-EGO-IZATION, since it is less the death of humanity of or Man perse that is at stake than the obsolescence of a particular conception and ideology of the self. Hocquenghem makes this clear when he concludes … “homosexual desire is neither on the side of death nor on the side of life; it is the killer of civilised egos.” 241

Not only does fangtasy fulfill a crucial mediating function, htereby permitting us to complicate teh relation between desire and the social, but it does so by deeping perversion alive and in play. thus, in my view, quieer theory cannot afford to accept Foucault’s —or Deleuze and Guattari’s— dismissal of fantasy as a ruse of idealism. For me the significance of Lacan’s inverting his formula for fantasy ($<>a) to make the formula for perversion (a<>$) lies in its maintaining fantasy as always potentially perverse, while also guaranteeing perversion a mobility that defers it soldification into an identity (THE pervert). Hence the full significance of the <> sign … that links $ and a, and which Lacan says “is created to allow a hundred and one different readings, a multiplicity that is admissible as long as teh spoken remains caught in its algebra” (Ecrits 313). This <> sign indicates a set of possible relations between the subject of the unconscious and its object, a veritable repertoire of relationality. To appreciate how this works, we need to clarify the ambiguous status of the OBJECTa, which, designating neither a person nor a thing, occupies a distincly multivalent position in Lacan’s theory of sexuality. 246-247

The new perspective on humanity inaugurated by the discovery or invention of the unconscious involves a sense of loss, but this loss is a consequence of excess — that is, a loss of mastery that stems from an excess of signification. Thus the paradox whereby excess is not so much the alternative to lack as its precondition entails a more specific problem, namely, that the boon of linguistic subjecvity comes at the cost of subjective unity. This excess of meaning called the unconscious genertes desire as a multiplicity of possible connections, metonymic links between signifiers that engender subjectivity. Another way of putting this is to point out how linguistic duplicity —the very possibility that language can deceive— produces the perpetual illusion of a secret located beyond language, and it is this enigma that elicits desire. HENCE FOR LACAN, THE SUBJECT AND DESIRE COME INTO BEING AT THE SAME MOMENT; AND HE NAMES THIS CONSITUTIVE DIVISION THAT FOUNDS THE SUBJECT “OBJECTa” a term intended to designate the remainder or EXCESS that keeps self-identity forever out of reach, thus maintaining desire. 250

As I have been arguing throughout this book, the logic of this concept, OBJECTa, demotes or relativizes that of the phallus: whereas the phallus implies a univocal model of desire (insofar as all desiring positions are mapped in relation to a singular term), OBJECTa implies multiple, heterogeneous possibilities for desire, especially since OBJECTa bears no discernible relation to gender. 250

OBJECTa takes multple forms as a consequence of the drive’s partiality … In Lacan’s theory the object results from an excess of signification that Freud calls the UNCONSCIOUS; more specifically, it is the effect of this excess on the human body that brings desire into being. In his Three Essays Freud describes this phenomenon in terms of plymorphous perversity, emphasizing the infant’s capacity for autoerotic pleasure in any number of bodily openings, surfaces and activities. As is well known, Freud designates these multiple corporeal apertures and surfaces EROGENOUS ZONES and this inspires Lacan’s account of OBJECTa. 251

<<
The very delimitation of the “erogenous zone” that the drive isolates … is the result of a cut expressed in the anatomical mark of a margin or border — lips, “the enclosure of the teeth,” the rim of the anus, the tip of the penis, the vagina, the slit fromed by the eyelids, even the horn-shaped aperature of the ear …. the mamilla, faeces, the phallus (imaginary object), the urinary flow. (An unthinkable list, if one adds, as I do, the phoneme, the gaze, the voice — the nothing.) [Ecrits 314-315 Cited in Tim Dean Beyond Sexuality 252]

Erogenous zones — which are always multiple, never singular — come into being as soon as sexuality is separated from organic functions, that is, in the reflexive moment of autoeroticism. Lacan describes this process as “the result of a cut” that occurs at any number of bodily borders. Not only is “this mark of the cut” (WHICH CREATES OBJECT a) multiplied throughout the body, but it is my own body on which the symbolic order makes these incisions. thus for Lacan, as for Freud, sexual desire originates in autoeroticism. Dean, Beyond Sexuality 252

The significance of this logic for our purposes lies in the implication that desire emerges independently of heterosexuality or homosexuality; and hence the gendering involved in “object-choice” must be a secondary process performed on objects THAT PRECEDE GENDER — as Lacan’s example of “the horn=shaped aperture of the ear” clearly demonstrates. This secondary process, which organizes and thus totalizes OBJECTSa into a gendered object-choice, shows how personification functions as a strategy of normalization. We might even say that the psychoanalytic notion of object-choice is itself a heterosexist invention, one that runs counter to psychoanalysis’s own logic of unconscious desire. 253

I’d like to look a little harder at the material object Lacan takes as his prototype for OBJECTa — the turd. Looking unblinkingly at a psychoanalytic theory of exrement offers the benefit of enabling us to gauge just how incidental to Lacan’s account of fantasy, sexuality, and desire is the phallus. … Speaking of what happens to the human organism in the process of subjectification —when, that is, language impacts the body — … Lacan’s model for subjective loss is not the phallus but feces, an ungendered object. In the face of THI|S object-cause of desire, the controversy over the concept of the phallus pales into insignificance, since whether or not we’re all —men as well as women— missing the phallus, certainly we’ve all lost objects from the anus. And this distinction remins universally true —irrespective of gender, race, class, nation, cutlure, or history— in that although we never may be completely certain that nobody has the phallus, we can be sure everybody has an anus. … The explanatory virtue of turds over the phallus lies not only in the fact that everybody loses them, but also in the fact that their loss is repeated: it’s because loss from this part of the body is multiplied over and over that feces so aptly figure OBJECTSa. Now this formulation confronts us with the disturbing implication that in fantasy ($ <> a) we find the subject relating to its shit. 264-265

Perhaps it takes a gay man to observe that the phallus is simply a turd in disguise … 266

Let me make clear that I’m claiming not that sexual difference is inconsequential to this account of sexuality, just that it is secondary. Desire emerges before sexual difference, through the anal object, and therefore there can be no a priori gendering of the object-cause of desire. “to encounter desire is first of all to forget the diference in the sexes” and [to instead focus] on anal erotics. … excrement remains an extraordinarily difficult topic for sustained discourse: the anal object tests the limits of sexual tolerance far more stringently than mere homosexuaity or other manifestation of queerness. In deed, homosexuality’s being branded “the love that dare not speak its name” must have been a consequence primarily of its association with anality. Even Freud, whose broadmindedness still retains the capacity to astonish, deems perversion most unequivocally pathological when it involves sexual contact with shit. 267

Freud reminds us that originally the object of desire is not another person, much less a member of the opposite sexj, but somethign rather more abject. Thinking of sexual object-choice in terms of persons entails a kind of sublimation, an idealizing consolidation of the object, rather than the idealization of the instinct manifested in Freud’s examples of necrophilia and coprophagy. When we grasp the idea that erotidc desire for another person itself depends on some sort of sublimation —rather than sublimation standing as the alternative to interpersonal desire, as is commonly supposed— then we can begin to appreiate just how strange, how distant from the normalizing perspective on love and sex, psychoanalytic theory really is. In its most fundamental formulations psychoanalysis is queer theory. [End of chapter] 268

Dean, Tim. “Lacan and Queer Theory” Ed. Jean-Michel Rabaté, The Cambridge Campanion to Lacan. Cambridge: Cambridge UP 2003. 239-

As Simon Watney has shown in his analysis of media discourse about AIDS in Britain and the United States, the diea of a general population implies a notion of disposable populations in much the same way that the category of the normal defines itself in relation to the pathological, on which it necessarily depends. hence the “general population” can be understood as another term for heteronormative society. those excluded from teh general population —whether by virtue of their sexuality, race, class, or nationality— are by definition QUEER.

In this way “QUEER” came to stand less for a particular sexual orientation or a stigmatized erotic identity than for a critical distance from the white, middle-class, heterosexual norm. … a new style of political organization that focused more on building alliances and coalitions than on maintaining identity boundaries: … entailed a critique of identity and an acknowledgement that different social groups could transcend their identity based on paricularisms in the interest of resititng heteronormative society. thus while gay oppses straight, queer sets itself more broadly in opposition to the forces of normalization taht regulate social conformity. QUEER IS ANTI-IDENTITARIAN AND IS DEFINED RELATIONALLY RATHER THAN SUBSTANTIVELY. QUEER HAS NO ESSENCE, AND ITS RADICAL FORECE EVAPORATES —OR IS NORMALIZED— AS SOON AS QUEER COALESCES INTO A PSYCHOLOGICAL IDENTITY. 240

Composed in a Lacanian milieu (though without ever mentioning Lacan’s name), The History of Sexuality launches a polemic against what Foucault calls the repressive hypothesis. This hypothesis states that human desire is distorted by cultural constraints, which, once lifted, would liberate desire and permit its natural, harmonious fulfillment, thereby eliminating the various neuroses that beset our civilization. Picturing desire and the law in an antagonistic relation, the repressive hypothesis infers a precultural or prediscursive condition of desire in its “raw” state. Foucault —like Lacan— maintains that no such prediscursive state exists. Instead, desire is positiviely produced rather than repressed by discourse; desire follwos teh law, it does not oppsoe it. In 1963, more than a decade before the History of Sexuality Lacan argued that “Freud finds a singular balance, a kind of co-conformity — if I may be allowed to double my prefixes — of Law and desire, stemming fro the fact that both are born together. (T, p.89). This affirmation comports well with Foucault’s critique of the repressive hypothesis. 241

However Fouclult’s critique of a naive conception of repression — repression considered as a purely external force — prompts him to argue against all formulae of negation where desire is concerned, and thus his polemic leaves little conceptual room for any consideration of negativity. … While Lacan wants to reconceptualize the unconscious in de-individualed terms, Foucault wishes to rethink that which structures subjectivity in purely positive terms, without recourse to notions of repression, negation, or the unconscious. 242

But in denaturalizing sex and sexuality, Lacan suggests more than the comparatively familiar idea that sex is a social construct. Psychoanalytic antinaturalism does not boil down to mere culturalism. Rather, his account of how discourse generates desire specifies more precisely the function of negativity in creating human subjectivity. Lacan locates the cause of desire in an object (L’OBJECT PETITa) that comes into being as a result of language’s impace on the body, but that is not itself discursive. The OBJECT PETITa is what remains after culture’s symbolic netoworks have carved up the body, and hence the object reminds us of the imperfect fit betwen language and coproreality. …. Lacan argues that the object-cause of desire is EXTRADISCURSIVE — something that cannot be contained within or mastered by language, and therefore cannot be understood as a cultural construct.

… in its origins DESIRE IS NOT HETEROSEXUAL: desire is determined not by the opposite sex but by L’OBJECT PETITa, which necessarily precedes gender. 244

In his Three Essays on the Theory of Sexuality Freud claimed that the peculiar termporality of human sexual life compelled him to conclude that the instinct has no predetermined object or aim: “It seems probable that the sexual instinct is in the first instance independent of its object; nor is its origin likely to be due to its object’s attractions” (SE 7, p.148). By invalidating the popular notion that erotic desire is congenitally oriented toward the opposite sex, this psychoanalytic insight poses a fundamental challenge to heteronormativity. And it is thanks to ideas such as this one — the instinct’s original independence of its object — that Freud rather than Foucault may be credited as the intellectual founder of queer theory.
In order to grasp Lacan’s theory of L’OBJECT PETITa and how it deheterosexualizes desire, we need to consider fruther Freud’s account of the sexual instinct and its contingent object. As his severing of the natural link between instinct and object implies, Freud disassembles the instinct into it components, arguing that the notion of a unified instinct in which the parts function together harmoniously on the model of animal instinct is a desuctive fiction; it does not describe accurately how human instinctual life operates. there is no single, unifed sexual instinct in humans, Freud maintains, but only partial drives, component instincts. Instinct is an evolutionary concept, a way of thinking about an organism’s adaptation to its environment. For Freud, however, the human subject is constitutively maladapted to its environment, and the unconscious stands as the sign of this maladaption. Psychoanalytic thinkers after Freud have formalized the distinction between instinct and drive that remains somewhat inchoate in Freud’s own work. The distinction is particularly important in terms of the epistemological status of psychoanalysis, since drive theory tends to be taken as one of the most retrograde aspects of Freudianism, a mark of its essentialism. But in fact the instinct/drive distinction confirms Freud’s departure from biologistic conceptions of sexuality. IF INSTINCT CAN BE SITUATED AT THE LEVEL OF BIOLOGICAL NECESSITY, THEN DRIVE IS THE RESULT OF INSTINCT’S CAPTURE IN THE NETS OF LANGUAGE, ITS HAVING TO BE ARTICULATED INTO A SIGNIFYING CHAIN IN ANY ATTEMPT TO FIND SATISFACTION.

Lacan spells out this distinction: “the instinct is the effect of the mark of the signifier on needs, their transformation as an effect of the signifier into something fragmented and panic-stricken that we call drive” (Seminar VII, 301). Fragmented or partialized by symbolic networks, the drive is thereby DISoriented (“panic stricken”) in a manner that gives the lie to conventional motions of sexual orientatation. The very idea of sexual orientation assumes that desire can be coordinated in a single direction, that it can be streamlined and stabilised. Another way of putting this would be to say that the idea of SEXUAL ORIENTATION DISCIPLINES BY REGULATING ITS TELOS. The notion of orientation —including same-sex orientation— can be viewed as normalizing in that it attempts to totalize uncoordinated fragments into a coherent unity. The conceptual correlate of orientation is sexual identity, a psychological category that confroms to the instinctual understanding of sex. Instinct, orientation, and identity are psychological concepts, not psychoanalytic ones. These concepts normalize the weirder psychoanalytic theory of partial drives and unconscious desire by unifying the latter’s discontinuities into recognizable identity formations. The impulse to coordinate and synthesize is a function of the ego and betrays an imaginary view of sex. This is true of the notions of homosexual orientation and gay identity as it is of heterosexual identity. Both straight and gay identities elide the dimension of the unconscious. As an orientation or identity, homosexuality is normalizing though not socially normative. In other words, while homosexuality is far from representing the social norm, as a minority identity it does conform to the processes of normalization that regulate desire into social categories for disciplinary purposes. 245-246

With this distinction in mind, we can begin to appreciate how Freud’s radical claim that psychoanalysis “has found that all human beings are capable of making a homosexual object-choice and have in fact made one in their unconsciuos” does not go far enough in dismantling an identititarian view of sex. The contention that everyone has made a homosexual object-choice in his or her unconscious undermines the notion of a seamless sexual identity, but without challenging the assumption that object-choice is determined by gender. For an object-choice to qualify as homosexual, it must represent a selection based on the similarity of the object’s gender to that of the subject making the selection. This implies that the gender of objects still is discernible at teh level of the unconscious, and that sexuality concerns recognizably “whole” objects, such as men and women (or at least masculine and feminine forms). But such assumptions are invalidated by Freud’s own theory of partial drives, as well as by the concept of OBJET PETITa, a kind of partialized object that Lacan derives from Freudian drive theory. In developing his concept of OBJET PETITa, Lacan invokes the oral, anal, and scopic drives that Freud discusses in “Instincts and their vicissitudes” (1915), adding to Freud’s incomplete list the vocatory drive (in which the voice is taken as an object). From the partial drives Lacan emphasises, one sees immediately that the gender of an object remains irrelevant to the drives’ basic functioning. … THE DRIVES’ PARTIALITY REVOKES HETEROSEXUALITY AT THE LEVEL OF THE UNCONSCIOUS. 246

If, as far as the unconscious is concerned, it makes no sense to speak of heterosexual or homosexual object-choices, then a theory of subjectivity that takes the unconscious into account could be extremely useful from a queer perspective. … Freud’s partializing of the drive discredits not only the viability of sexual complementarity, but also the possibility of subjective harmony. In contrast to the functionality of sexual instinct, drive discloses the dysfunctionality of a subject at odds with itself as a result of symbolic existence. Characterized by repetition rather than by development, the drive does not necessarily work toward the subject’s well being. In fact, its distance from organic rhythms means that the drive insists at the level of the unconscious even to the point of jeopardizing the subject’s life. For this reason, Lacan aligns the drive with death rather than life, claiming that “the drive, the partial drive, is profoundly a death drive and represents in itself the portion of death in the sexed living being” (Seminar XI 205). It bears repeating that the death drive is not an essentialist or organicist concept, since it derives from an inference about the effect of language on bodily matter; it is as CULTURAL subjects that humans are afflicted with the death drive. There is no essential, inborn death drive; rather, the dysfunctional, antinaturalistic way in which partial drives fail to conduce toward life lends every drive an uncanny, death-like quality. 247

Nobus, Dany. “Lacan’s Science of the Subject: Between Linguistics and Topology” Ed. Jean-Michel Rabaté, The Cambridge Campanion to Lacan. Cambridge: Cambridge UP 2003.

… Lacan also mapped out the antagonism between self-consciousnes identity and unconscious subject across the two poles of opposition between the subject of the statement (sujet de l’énoncé) and the subject of the enunciation (sujet de l’énonciation). Freud’s famous joke of the two Jews who meet at a station in Galicia still serves as an excesslent example of what Lacan was trying to demonstrate here. When the first Jew —let us call him Moshe — asks the second, who will go by the name of MOrdechai, “So where are you going?” Mordechai says, “I am going to Cracow.” This message instantly infuriates Moshe, who exclams: “You’re a dirty liar, Mordechai, because you are only telling me you’re going to Cracow in order to make me believe that you’re going to Lemberg, but I happen to know that you are going to Cracow!” Of course, the joke is that Moshe accuses Mordechai of being a liar, whereas what Mordechai says is a truthful description of his journey plan. Moshe acknowledges that the subject of the statement is telling the truth about himself — “I know you are going to Cracow” — but he also pinpoints the deceitful intention behind Mordechai’s statement, which reveals the subject of the enunciation: “Your true intention is to deceive me.” Mordechai may or may not have been aware of his intention, the fact of the matter is that Moshe acknowledges the presence of another subject behind the subject of the statement. 61-62

Verhaeghe Does Woman

Discourse of Hysteric

The questions put to the master are bascially the same: “Tell me who I am, tell me what I want.” Although this master can be found in different places — it could be a priest, a doctor, a scientist, an analyst, even a husband — there is always one common factor: the master is supposed to know, he is supposed to know and to produce the answer. That is why we find knowledge, S2, in the position of product. Typically, this answer always misses the point. S2 as general knowledge is impotent in producing a particular answer to the particular driving force of objectA in the place of truth: a//S2. This inevitably results in a never ending battle between the hysterical subject and the particular master on duty. …

Structurally, the discourse of the hysteric results in alienation for the hysterical subject and in castration for the master. The answer given by the master will always miss the point, because the true answer concerns objectA, the object which is forever lost and cannot be put into words. The standard reaction to this failure is to produce even more signifiers but they only lead one further and further from the lost object in the position of truth. This impossibility causes the failure of the master, and entails his symbolic castration. Meanwhile, the master, in the position of the other as S1, has produced an ever increasing body of S2, of knowledge. It is this very knowledge that the hysterical subject experiences ass profoundly alienating: as an answer to her particular question she receives a general theory, …. Whether or not she complies with it, whether or not she identifies herself with it, is besides the point. In every case, the answer will be felt as alienating. Knowdledge as a product is unable to say anything important about objectA in the place of truth: a//S2 (Verhaeghe, Does the Woman 110).

[The master’s] truth is that he is also castrated, divided and subject to the Law. The paradox is that in striving to attain jouissance, the only thing he can produce is a knowledge which always falls short and which automatically makes him fail as a master. Ineed, if he wants to display his knowledge he has to speak, but the moment he does, he reveals his division. the only way for a master to say master is to keep away from the game of desire.
[…] Only he who does not desire is not submitted to castration, remains undivided and can occupy the position of master. … The idealised father of the hysteric is teh dead father, the one who, freed from all desire, is no longer subjected to the fundamental lack and can produce in his own name, S1, a knowledge, S2, concerning jouissance. Verhaeghe 112

Discourse of University (Verhaeghe, Does the Woman 116-117)

In the discourse of the university, the master functions as a formal guarantee for knowledge, thereby denying the ever-problematic division of the one who knows. In the end, this denial will be a failure. It is this knowledge that takes up the position of agent in the discourse of the university. If we turn the terms in the discourse of the master back a quarter, we obtain the discourse of the university as a regression of the discourse of the master, and as the inverse of the discourse of the hysteric. The agent is a ready-made knowlege, whereas the other is reduced to mere object, cause of desire: S2 –>a

The history of psychoanalysis illustrates this aim of the discoruse of the university: Freud is reduced to a merer guarantee of a closed and well-established knowledge. The problematic aspect of his work is put aside, only his name remans as the master signifier necessary for the guarantee: “Made in …” The unifying aspect of this S1 already shows itself in the fact that post-Freudianism reduced Freud to a massive whole, a monolith without any internal dynamic. Certainly, the ‘evolution’ in his work was recognised, but only in the sense of a cumulative progression, which began before Freud (‘dynamic’ psychiatry), and resulted after him in the pinnacle known as Ego psychology …

This knowledge is presented as an organised and transparent unity which can be applied straight from the textbook. the hidden truth is that it can only function if one can guarantee it with a master-signifier.

In the position of the other, we find the lost object, the cause of desire. The relationship between this object and the signifying chain is structurally impossible: the object is precisely that element, Das Ding, which is beyond the signifier. As a result, the product of this discourse is a growing division of the subjuct: the more knowledge one uses to reach the object, the more one becomes divided between signifiers, and the further one moves away from home, that is, from the true cause of desire: S2–>a.

The product of this discourse demonstrates its failure since the result is nothing but the divided subject $. This is a consequence of the impossible relationship between S2 –>a. Knowledge does not yield jouissance, only a subject divided by a knowledge expressed in signifiers. This subject, $, can never be identified with an S1 because it would require a state of non-division. Between truth and product, the disjunction of impotence insists: S1//$.

Moreover, there is no relationship between the subject and the master-signifier in this discourse; the master is supposed to secrete signifiers without there being any relationship with his own subjectivity: S1//$. This illusion is behind the ‘objectivity’ required in classical science.

drive bibliography Žižek

Boyle, Kirk. “The Four Fundamental Concepts of Slavoj Žižek’s Psychoanalytic Marxism.”  International Journal of Žižek Studies Vol 2.1 (2008) 1-21.

Whither drive in Žižek’s conception of the Marxian parallax?

What role might drive play in a properly political “intervention”? The missing connection between drive’s inherence to capitalism and the “ultimate parallax of the political economy” in Žižek’s work proves frustrating, but we may broach two tentative conclusions.

The location of drive and desire with regards to capitalism seems to fall on either side of the political economy parallax, i.e. from the perspective of the economic Real, drive describes the self-propelling movement of the metaphysical dance of Capital. Desire, on the other hand, describes the same process of endless circulation but from the perspective of the libidinal economy of surplus-enjoyment and the symbolic order of consumer society.8

Both sides of this parallax are economically and politically necessary: financial speculation ceases to exist if there is no hysterical consumer society; no understanding of the personal lure of commodities is possible without reference to the impersonal compulsion to engage in the endless circular movement of expanded self-reproduction.

The distinction between drive and desire also provides a gauge for evaluating the effectiveness of interventions to break the spell of global capitalism.

Žižek raises the possibility of resistance on the level of desire when he claims that critiques of capitalism from stable ethical positions appear to be the exception in the “carnivalized” world of late capitalism (Žižek 2007: 235). By harkening back to an ethics of moderation, for example, we might curtail the normal functioning of capitalism to self-revolutionize through the incorporation of ever new forms of surplus-enjoyment.

If we opt out of enjoyment (through elective poverty, for example), do we not throw a wrench in the gears of capital’s incessant circulation? Although resistance on the level of desire sounds feasible, it also smacks of a nostalgia for times that are irrecoverable on a large scale. Capitalism also has an uncanny ability to create new markets out of even the most heroic of bohemian efforts. The scope of a stable ethics to combat capital would be parochial at best, and Žižek’s interest lies with something more radically transformative.

The kind of resistance Žižek envisions would be as large in scale as Capital itself because it seeks to intervene on the level of drive.

Žižek frames the question of the possibility of resisting the capitalist drive as follows: “how are we to formulate the resistance to the economic logic of reproduction-through-excess?…how, then, are we to revolutionize an order whose very principle is constant self-revolutionizing? This, perhaps, is the question today” (Žižek 2006b: 321, Žižek 2007: 235).

With a question big enough to be the question today comes no easy answers, only more questions. Does such a thing as a Leftist drive exist? What would a form of resistance on the level of drive look like? Where exactly would this form of resistance intervene?

Can drive fight drive?

Lacan, Jacques (1998a) Seminar IX: The Four Fundamental Concepts of Psychoanalysis. Trans. Alan Sheridan. New York: W.W. Norton and Company.
Lacan, Jacques (1998b) Seminar XX: Encore. Trans. Bruce Fink. New York: W.W. Norton and Company.
Lacan, Jacques (2006) Écrits. Trans. Bruce Fink. New York: W.W. Norton and Company.

Žižek, Slavoj (1989) The Sublime Object of Ideology. New York: Verso.
Žižek, Slavoj (1993) Tarrying with the Negative: Kant, Hegel, and the Critique of Ideology. Durham: Duke.
Žižek, Slavoj (1994) The Metastases of Enjoyment: On Women and Causality. London: Verso.
Žižek, Slavoj (2000) The Ticklish Subject: The Absent Centre of Political Ontology. New York: Verso.
Žižek, Slavoj (2002) “The Interpassive Subject.” The Symptom, 3. Available at: http://www.lacan.com/interpassf.htm. Accessed Jan 29th 2008.
Žižek, Slavoj (2005a) “Concesso non Dato.” Traversing the Fantasy: Critical Responses to Slavoj Žižek. Eds. Geoff Bucher, Jason Glynos, and Matthew Sharpe. Burlington: Ashgate.
Žižek, Slavoj (2005b) “Objet a as Inherent Limit to Capitalism: On Michael Hardt and Antonio Negri.” Available at: http://www.lacan.com/zizmultitude.htm. Accessed Jan 28th 2008.
Žižek, Slavoj (2006a) How to Read Lacan. New York: W.W. Norton and Company.
Žižek, Slavoj (2006b) The Parallax View. Cambridge: MIT.Žižek, Slavoj (2007) “With Defenders Like These.” The Truth of Žižek. Eds. Paul Bowman and Richard Stamp. London: Continuum.
Žižek, Slavoj and Glyn Daly (2004) Conversations With Žižek. Cambridge: Polity.